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Martine Quentric-Séguy

    Contes des sages de l'Inde
    Prisms
    • Prisms

      • 40 pages
      • 2 hours of reading

      The career of E. A. Seguy spanned both the Art Nouveau and Art Deco periods, and he was one of the few graphic artists to incorporate both styles into his work. Original portfolios of his magnificent designs — intended as inspiration for textiles, wallpaper, and other decorative items — are highly collectible today. These 40 full-color plates, most of them geometric patterns, are derived from one of Seguy's final portfolios. They attest to the French artist's inventive gifts and the enduring appeal of his vivid patterns. Originally published in Paris in 1931, the images in this edition were rendered in striking color via the pochoir technique. The demanding, labor-intensive method employed hand stenciling to apply pigment to paper. A single print could require as many as a hundred stencils in order to achieve a depth and texture similar to watercolor or gouache paintings. The expense of the technique soon proved impractical and was abandoned, making Seguy's Prisms a particularly desirable rarity for art historians and collectors of Art Deco and Art Nouveau graphics.

      Prisms
    • Contes des sages de l'Inde

      • 128 pages
      • 5 hours of reading

      C’est au bord du Gange que Les Contes des Sages de l’Inde prennent leur source. Ici, à chacun son chemin, son pas, son heure juste. Pendant que le pèlerin patient goûte la saveur des rêves, l’ascète rieur entend l’écho des légendes vivantes. Dieux, démons, animaux sacrés, souverains et mendiants portent une histoire et cherchent à se trouver. Le Sage, lui, écoute le chant de l’eau et sait comme le vent passe sur l’autre rive.

      Contes des sages de l'Inde