Heimito von Doderer Book order

The first English translation of an essential Austrian novel about life in early-twentieth-century Vienna, as seen through a wide and varied cast of characters. The Strudlhof Steps is an unsurpassed portrait of Vienna in the early twentieth century, a vast novel crowded with characters ranging from an elegant, alcoholic Prussian aristocrat to an innocent ingenue to “respectable” shopkeepers and tireless sexual adventurers, bohemians, grifters, and honest working-class folk. The greatest character in the book, however, is Vienna, which Heimito von Doderer renders as distinctly as James Joyce does Dublin or Alfred Döblin does Berlin. Interweaving two time periods, 1908 to 1911 and 1923 to 1925, the novel takes the monumental eponymous outdoor double staircase as a governing metaphor for its characters’ intersecting and diverging fates. The Strudlhof Steps is an experimental tour de force with the suspense and surprise of a soap opera. Here Doderer illuminates the darkness of passing years with the dazzling extravagance that is uniquely his.

Widowed and newly retired, the turn-of-the-century Austrian civil servant Julius Zihal has left the safe haven of the Tax Office and its orderly, codified administrative practices and now faces a drab and uncertain future alone. This gloomy scene suddenly becomes brighter when he discovers that the lighted windows of the adjacent apartment buildings offer a nightly display of variously-endowed ladies undressing as they prepare for bed. The expected Jekyll and Hyde contrast between Julius' Biedermeier daytime conduct and his nocturnal activities never quite materialises as the bureaucrat within him dominates the voyeur and he attempts to open a file on Eros, as it were, by carefully noting down and categorising all the pertinent details of his observations, rather than simply surrendering to their pleasures.

Heimito von Doderer was one of the twentieth century's most distinguished Austrian novelists. His finest novel is The Demons, a monumental work and itself the 'Götterdämmerung' as it were to earlier novels. The central preoccupation of this masterpiece is the decline of European civilization. He began work on it in 1931, after reading Dostoyevsky's The Devils. Symphonic in construction, it is a panoramic re-creation of Viennese society in all its strata, conjuring the depths as well as the heights of everything we might think of as Vienna. Doderer has Balzacian scope as well as owing much to Proust and Musil. His human comedy is drawn with a humour as vital when ironic as when satirical, and his baroque imagination is well served by his tireless linguistic ingenuity.

Heimito von Doderer was one of the twentieth century's most distinguished Austrian novelists. His finest novel is The Demons, a monumental work and itself the 'Götterdämmerung' as it were to earlier novels. The central preoccupation of this masterpiece is the decline of European civilization. He began work on it in 1931, after reading Dostoyevsky's The Devils. Symphonic in construction, it is a panoramic re-creation of Viennese society in all its strata, conjuring the depths as well as the heights of everything we might think of as Vienna. Doderer has Balzacian scope as well as owing much to Proust and Musil. His human comedy is drawn with a humour as vital when ironic as when satirical, and his baroque imagination is well served by his tireless linguistic ingenuity.