Leon Battista Alberti was a polymathic Renaissance humanist whose interests spanned art, architecture, philosophy, and linguistics. His work defies singular categorization, reflecting Alberti's comprehensive explorations across disciplines. He profoundly investigated and interconnected various fields of knowledge, leaving an indelible mark on Renaissance culture. His life and contributions are documented, presenting him as a pivotal figure of his era.
Featuring a blend of humor and insight, this collection of stories is designed for enjoyment during meals. Alberti's Dinner Pieces, or Intercenales, explore a wide range of subjects including politics, arts, and love, marking a significant contribution to comic literature. This edition offers a fresh translation alongside an authentic Latin text, enhancing the reading experience while showcasing Alberti's innovative storytelling.
Leon Battista Alberti was among the most famous figures of the Italian Renaissance. Biographical and Autobiographical Writings includes On the Advantages and Disadvantages of Literature, The Life of St. Potitus, My Dog, My Life, and The Fly. It presents the first collected English translations of these works and an authoritative Latin text.
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Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. This volume is richly illustrated to help demonstrate how Alberti understood optics and art.
Momus has attracted increasing attention from scholars as a work anticipating the realism of Machiavelli and the satiric wit of Erasmus. This edition provides a Latin text, based on the two earliest manuscripts, both corrected by Alberti himself, and includes a full translation into English. schovat popis
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. John R. Spencer's translation of Della Pittura is based on all the known manuscripts and is edited with an Introduction and Notes.