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Edwin Muir

    Edwin Muir
    The trial
    An Autobiography
    The Metamorphosis
    Collected poems
    Selected Short Stories of Franz Kafka
    Edwin Muir: An Autobiography
    • Edwin Muir: An Autobiography

      • 287 pages
      • 11 hours of reading

      From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.

      Edwin Muir: An Autobiography
      4.0
    • Selected Short Stories of Franz Kafka

      • 360 pages
      • 13 hours of reading

      Franz Kafka's enigmatic, deadpan, and deeply pessimistic stories are central to literary modernism. In 'The Metamorphosis', the estrangement of everyday life becomes corporealized when Gregor Samsa wakes up as a giant bug and wonders how he is going to get to work on time. Kafka inverts the implied degradation of a man's transformation into an animal in 'A Report of the Academy', an ape's address to a group of scientists.

      Selected Short Stories of Franz Kafka
      4.1
    • The Metamorphosis

      • 184 pages
      • 7 hours of reading

      The Metamorphosis (German: Die Verwandlung) is a novella by Franz Kafka, first published in 1915. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed into a "monstrous vermin".

      The Metamorphosis
      4.1
    • An Autobiography

      • 321 pages
      • 12 hours of reading

      From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.

      An Autobiography
      4.0
    • The trial

      • 208 pages
      • 8 hours of reading

      A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.

      The trial
      3.9
    • Amerika

      • 299 pages
      • 11 hours of reading

      Kafka's first and funniest novel, Amerika tells the story of the young immigrant Karl Rossman who, after an embarrassing sexual misadventure, finds himself "packed off to America" by his parents.

      Amerika
      3.8
    • Quartet Encounters: The Sleepwalkers

      • 648 pages
      • 23 hours of reading

      With his epic trilogy, The Sleepwalkers , Hermann Broch established himself as one of the great innovators of modern literature, a visionary writer-philosopher the equal of James Joyce, Thomas Mann, or Robert Musil. Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss. Whether he is writing about a neurotic army officer (The Romantic) , a disgruntled bookkeeper and would-be assassin (The Anarchist) , or an opportunistic war-deserter (The Realist) , Broch immerses himself in the twists of his characters' psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

      Quartet Encounters: The Sleepwalkers
      3.9