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Edwin Muir

    Edwin Muir
    Amerika
    The Metamorphosis
    Everyman's Library Contemporary Classics Series: The Trial
    Collected poems
    Selected Short Stories of Franz Kafka
    Edwin Muir: An Autobiography
    • Edwin Muir: An Autobiography

      • 287 pages
      • 11 hours of reading

      From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.

      Edwin Muir: An Autobiography
      4.0
    • Selected Short Stories of Franz Kafka

      • 360 pages
      • 13 hours of reading

      Franz Kafka's enigmatic, deadpan, and deeply pessimistic stories are central to literary modernism. In 'The Metamorphosis', the estrangement of everyday life becomes corporealized when Gregor Samsa wakes up as a giant bug and wonders how he is going to get to work on time. Kafka inverts the implied degradation of a man's transformation into an animal in 'A Report of the Academy', an ape's address to a group of scientists.

      Selected Short Stories of Franz Kafka
      4.1
    • Written in 1914 but not published until 1925, a year after Kafka’s death, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, The Trial has resonated with chilling truth for generations of readers.

      Everyman's Library Contemporary Classics Series: The Trial
      4.1
    • The Metamorphosis

      • 100 pages
      • 4 hours of reading

      This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, and The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

      The Metamorphosis
      3.9
    • Depicts the tragicomic misadventures of a young immigrant in New York.

      Amerika
      3.8
    • An Autobiography

      • 321 pages
      • 12 hours of reading

      From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.

      An Autobiography
    • Quartet Encounters: The Sleepwalkers

      • 648 pages
      • 23 hours of reading

      With his epic trilogy, The Sleepwalkers , Hermann Broch established himself as one of the great innovators of modern literature, a visionary writer-philosopher the equal of James Joyce, Thomas Mann, or Robert Musil. Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss. Whether he is writing about a neurotic army officer (The Romantic) , a disgruntled bookkeeper and would-be assassin (The Anarchist) , or an opportunistic war-deserter (The Realist) , Broch immerses himself in the twists of his characters' psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

      Quartet Encounters: The Sleepwalkers