Hanif Kureishi is celebrated for his incisive explorations of identity, sexuality, and cultural clashes, often focusing on the lives of young people navigating the spaces between British and Asian cultures. His prose is marked by a raw honesty and sharp social critique that dissects the complexities of modern life. Kureishi masterfully intertwines personal experience with broader societal themes, creating works that are both provocative and deeply human. His writing reflects his unique perspective as the son of a Pakistani father and an English mother, growing up in London.
To begin to write - to attempt to do anything creative, for that matter - is
to ask many other questions, not only about the craft itself, but of oneself,
and of life. accounts of his collaborations in film and television, and above
all, exploration of how the life of the mind expresses itself in creative
endeavours.
But Rafi's own shady past threatens to haunt him. London Kills Me (1991)A
weekend in the lives of homeless Clint and his pal Muffdiver, youthful
veterans of the streets of London, whose chief source of income derives from
selling drugs to the wealthier denizens of Notting Hill.
Hanif Kureishi was voted the Most Promising Playwright of the Year in 1981 by the London Theatre Critics for his plays "Borderline" and "Outskirts". This selection of plays shows his development as a writer from his own perspective and from the perspective of the British theatre of the 1970s.
Shahid is a clean-cut student, trying to make an impression on his college lecturer, Deedee Osgood. Shahid's academic prospects are threatened by the intervention of his gangster brother Chili, who, with his Armani suits and Gucci loafers, moves into Shahid's bedsit as a hideout, bringing unnecessary danger and excitement with him.
'Kureishi's screenplay is one of his most focused and engaging since My Beautiful Laundrette.' Allan Hunter, Screen International At sixty-five years of age, May fears that life has passed her by - that she has become just another invisible old lady whose days are more or less numbered. When she and her husband travel down from the north to visit their grown-up children in west London, she finds them characteristically inattentive. But then her husband's unexpected death pulls the ground from under her, and she subsequently embarks on a passionate affair with Darren, a man half her age, who is renovating her son's house and sleeping with her daughter, Paula. In the midst of this tumultuous situation, May begins to understand that it can take a lifetime to feel truly alive.
"My name is Karim Amir, and I am an Englishman born and bred, almost..." The hero of Hanif Kureishi's debut novel is dreamy teenager Karim, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results. With the publication of Buddha of Suburbia, Hanif Kureishi landed into the literary landscape as a distinct new voice and a fearless taboo-breaking writer. The novel inspired a ground-breaking BBC series featuring a soundtrack by David Bowie.
This acclaimed collection charts the course of Pop from its underground origins through its low and high art phases to its current omnipresence; it takes in fiction, reportage, fashion, art and fantasy as filtered through pop music and includes work by Michael Bracewell, Angela Carter, Nick Cohn, Bob Dylan, Simon Garfield, Nelson George, Germaine Greer, Peter Guralnick, John Lennon, Norman Mailer, Greil Marcus, Iggy Pop, Neil Tennant, Lou Reed, Simon Reynolds, Hunter S. Thompson, Nick Tosches, Andy Warhol, Tom Wolfe and Malcolm X, amongst others. Covering more than 50 years of writing from 1942 on, The Faber Book of Pop is the most stimulating collection of writing on popular music ever published.
The collection features four compelling plays by Hanif Kureishi, showcasing his distinctive voice and exploration of complex themes. "King and Me" delves into identity and cultural conflict, while "Outskirts" examines the lives of marginalized individuals. "Borderline" confronts issues of belonging and dislocation, and "Birds of Passage" reflects on the immigrant experience and the quest for home. Together, these works highlight Kureishi's ability to blend humor and poignancy in addressing social and personal struggles.
With VENUS, Hanif Kureishi turns his piercing gaze onto the pains of old age.
Maurice (Peter O'Toole) and Ian (Leslie Phillips) are veteran stage actors
whose slow, inevitable decline is disrupted by the arrival in their lives of
Ian's niece Jessie (Jodie Whittaker).