Werner Herzog Book order

The screenplay presents an epic dramatization of Hernán Cortes' conquest of the Aztec empire in 1521, showcasing Werner Herzog's unique storytelling style. Although it has remained unfilmed for over thirty years, readers can now explore this ambitious narrative that delves into themes of power, culture, and the clash of civilizations. Herzog's vision offers a captivating glimpse into a pivotal moment in history, bringing to life the complexities of conquest and its lasting impact.

The memoir offers an intimate look into the artistic journey of legendary filmmaker Werner Herzog, showcasing his unique voice and perspective. It captures the essence of his creative process, revealing the daring and inventive nature of his work throughout his prolific career. This long-awaited account promises to delve into the experiences and insights that have shaped Herzog as an influential figure in cinema and literature.

The diary offers an intimate glimpse into the challenges and triumphs faced by Werner Herzog during the making of Fitzcarraldo, a film that has attained legendary status. Through vivid reflections, Herzog captures the intense experiences and philosophical musings that shaped the production process. This repackaged edition provides readers with a deeper understanding of the filmmaker's vision and the arduous journey behind creating a cinematic masterpiece.

Werner Herzog is the undisputed master of extreme cinema: building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes. During the making of his films, Herzog pushed himself and others to the limits, often putting himself in life-threatening situations. As a child in rural Bavaria, a single loaf of bread had to last his family all week. The hunger and deprivation he experienced during his early years perhaps explain his fascination with the limits of physical endurance.All his life, Herzog would embrace risk and danger, constantly looking for challenges and adventures. Filled to the brim with memorable stories and poignant observations, Every Man for Himself and God against All unveils the influences and ideas that drive his creativity and have shaped his unique view of the world. This book tells, for the first time, the story of his extraordinary and fascinating life.

"Werner Herzog, one of the most revered filmmakers of all time, in his first book in many years, tells the story of Hiroo Onoda, a Japanese soldier who continued to defend a small island in the Philippines for twenty-nine years after the end of World War Two. In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts there asked, whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former solider famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the war was over. At their meeting, Herzog and Onoda spoke for hours, and together began to unravel Onoda's incredible story. At the end of 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer: Hold the island until the Imperial army's return. Defend the territory with guerilla tactics at all costs. There is only one rule: you are forbidden to die by your own hand. In the event of capture, give the enemy all the misleading information you can. Onoda dutifully retreated into the jungle, and so began his long campaign. Soon weeks turned into months, months into years, and years into decades. And all the while Onoda continued to follow his orders, surviving by any means necessary, at first with other soldiers, and then, finally, all alone in the jungle, like a phantom, becoming one with the natural world. Until eventually time itself seemed to melt away. In The Twilight World, Herzog immortalizes Onoda's years of absurd yet epic struggle, recounting his lonely mission in an inimitable, hypnotic style-part documentary, part poem, and part dream-that will be instantly recognizable to fans of his films. The result is something like a modern-day Robinson Crusoe: nothing less than a glowing, dancing meditation on the purpose and meaning we give our lives"-- Provided by publisher

For the first time in English, and in his signature prose poetry, the film scripts of four of Werner Herzog’s early worksScenarios III presents the shape-shifting scripts for four of Werner Herzog’s early films: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; and Cobra Verde. This volume completes the picture of Herzog’s earliest work, affording a view of the filmmaker well on his way to becoming one of the most original, and most celebrated, artists in his field.

'One of the best things published about cinema.' Sight & Sound Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent collaborations with mercurial actor Klaus Kinski - including the epics Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema. Here, he reflects on his legendary and inspiring career.

The second in a series: the master filmmaker's prose scenarios for four of his notable films On the first day of editing Fata Morgana, Werner Herzog recalls, his editor said: "With this kind of material we have to pretend to invent cinema." And this, Herzog says, is what he tries to do every day. In this second volume of his scenarios, the peerless filmmaker's genius for invention is on clear display. Written in Herzog's signature fashion--more prose poem than screenplay, transcribing the vision unfolding before him as if in a dream--the four scenarios here (three never before translated into English) reveal an iconoclastic craftsman at the height of his powers. Along with his template for the film poem Fata Morgana (1971), this volume includes the scenarios for Herzog's first two feature films, Signs of Life (1968) and Even Dwarfs Started Small (1970), along with the hypnotic Heart of Glass (1976). In a brief introduction, Herzog describes the circumstances surrounding each scenario, inviting readers into the mysterious process whereby one man's vision becomes every viewer's waking dream.

Werner Herzog doesn't write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production--and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career -- Back cover

Interviews with the director of Signs of Life; Aguirre, the Wrath of God to Grizzly Man; and Cave of Forgotten Dreams