Jonathan Franzen is an author whose novels delve into the complexities of modern life. His works frequently explore family dynamics, societal trends, and the search for meaning in contemporary times. Franzen's prose is recognized for its sharp insight and its capacity to capture the psychological depth of his characters. He writes about the experience of being human in the present era, with his books often eliciting strong emotional responses and prompting deep reflection.
Franzen presents new translations and annotations of the work of early twentieth-century satirist Karl Kraus, who, via his self-published magazine Die Fackel, "attacked the popular media's manipulation of reality, the dehumanizing machinery of technology and consumer capitalism, and the jingoistic rhetoric of a fading empire"--Dust jacket flap.
Set in East Berlin, this satirical novel blends humor and poignancy, capturing the absurdities of life in a divided city. Its vivid characters navigate a landscape filled with challenges, evoking both laughter and deep emotion. Critics praise its brilliance, highlighting the author's ability to tackle serious themes while maintaining a light-hearted tone. The narrative promises a unique exploration of resilience and the human spirit against the backdrop of a significant historical context.
"It's December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless -- unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who's been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen's novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen's gift for melding the small picture and the big picture has never been more dazzlingly evident."-- Book jacket flap
From the National Book Award-winning author of "The Corrections," a collection of essays that reveal him to be one of our sharpest, toughest, and most entertaining social critics While the essays in this collection range in subject matter from the sex-advice industry to the way a supermax prison works, each one wrestles with the essential themes of Franzen's writing: the erosion of civil life and private dignity; and the hidden persistence of loneliness in postmodern, imperial America. Reprinted here for the first time is Franzen's controversial l996 investigation of the fate of the American novel in what became known as "the Harper's essay," as well as his award-winning narrative of his father's struggle with Alzheimer's disease, and a rueful account of his brief tenure as an Oprah Winfrey author.
At once a searing indictment of corporate culture, a story of a young man confronting his past and future with honesty, and a testament to the enduring power of family, The Man in the Gray Flannel Suit is a deeply rewarding novel about the importance of taking responsibility for one's own life."--BOOK JACKET.
Stretching from the Midwest in the mid-century to Wall Street and Eastern Europe in the age of globalised greed, this book brings an old-time America of freight trains and civic duty into wild collision with the era of home surveillance, hands-off parenting, do-it- yourself mental healthcare, and New Economy millionaires.
Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. This is his memoir of his growth from a 'small and fundamentally ridiculous person, ' through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions
A true essay is “something hazarded, not definitive, not authoritative; something ventured on the basis of the author’s personal experience and subjectivity,” writes guest editor Jonathan Franzen in his introduction. However, his main criterion for selecting The Best American Essays 2016 was, in a word, risk. Whether the risks involved championing an unpopular opinion, the possibility of ruining a professional career, or irrevocably offending family, for Franzen, “the writer has to be like the firefighter, whose job, while everyone else is fleeing the flames, is to run straight into them.”Bajadas / Francisco CantúGirl / Alexander CheeAgainst honeymoons / Charles ComeyNames / Paul CrenshawOrdinary girls / Jaquira DíazMy father and the wine / Irina DumitrescuMy heart lies between "the fleet" and "all the ships" / Ela HarrisonThe bonds of battle / Sebastian JungerSexual paranoia / Laura KipnisThin places / Jordan KisnerPyre / Amitava KumarOf human carnage / Richard M. LangeBastards / Lee MartinFamily tradition / Lisa NikolidakisThe lost sister : an elegy / Joyce Carol OatesRight/left : a triptych / Marsha PomerantzBig night / Jill Sisson QuinnKilling like they do in the movies / Justin Phillip ReedA general feeling of disorder / Oliver SacksIn praise of contempt / Katherine E. StandeferThe eleventh commandment / George SteinerNamesake / Mason StokesBlack and blue and blond / Thomas Chatterton Williams
The idyllic lives of civic-minded environmentalists Patty and Walter Berglund come into question when their son moves in with aggressive Republican neighbors, green lawyer Walter takes a job in the coal industry, and go-getter Patty becomes increasingly unstable and enraged.
This collection of Franzen's non-fiction confirms his status not only as a great American novelist but also as a master noticer, social critic, and self-investigator. In 'Farther Away', he returns to the themes, both human and literary, that have long preoccupied him.