Jonathan Franzen is an author whose novels delve into the complexities of modern life. His works frequently explore family dynamics, societal trends, and the search for meaning in contemporary times. Franzen's prose is recognized for its sharp insight and its capacity to capture the psychological depth of his characters. He writes about the experience of being human in the present era, with his books often eliciting strong emotional responses and prompting deep reflection.
Set in East Berlin, this satirical novel blends humor and poignancy, capturing the absurdities of life in a divided city. Its vivid characters navigate a landscape filled with challenges, evoking both laughter and deep emotion. Critics praise its brilliance, highlighting the author's ability to tackle serious themes while maintaining a light-hearted tone. The narrative promises a unique exploration of resilience and the human spirit against the backdrop of a significant historical context.
The climate crisis is here. Our chance to stop it has come and gone, but this doesn't have to mean the world is ending.
Set against a backdrop of moral crisis, this novel explores the Hildebrandt family's navigation through the political and social currents of the past fifty years. On December 23, 1971, in Chicago, Russ Hildebrandt, an associate pastor, contemplates breaking free from his joyless marriage to Marion, who harbors her own secrets. Their eldest son, Clem, returns from college with a fervent moral absolutism that will profoundly affect his father. Meanwhile, their daughter Becky, once the social queen of her high school, has embraced the counterculture, and their younger brother Perry, who has been selling drugs, aspires to change for the better. Each family member seeks freedom, yet their desires complicate one another's lives. Celebrated for his vivid characters and insightful commentary on contemporary America, the author delves into generational history with humor and warmth. This intricate narrative weaves together multiple perspectives and maintains suspense, depicting a Midwestern family grappling with moral dilemmas. The author's ability to intertwine personal and societal issues shines through, making this work a powerful exploration of human mythologies and familial dynamics.
"The essayist, Jonathan Franzen writes, is like 'a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.' For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen's great loves are literature and birds, and [this book] is a passionate argument for both. Where the new media tend to confirm one's prejudices, he writes, literature 'invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.' Whatever his subject, Franzen's essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He's frank about birds, too (they kill 'everything imaginable'), but his reporting and reflections on them--on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica--are both a moving celebration of their beauty and resilience and a call to action to save what we love. Calm, poignant, carefully argued, full of wit, The end of the end of the Earth provides a welcome breath of hope and reason."--Jacket
A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections
A true essay is “something hazarded, not definitive, not authoritative; something ventured on the basis of the author’s personal experience and subjectivity,” writes guest editor Jonathan Franzen in his introduction. However, his main criterion for selecting The Best American Essays 2016 was, in a word, risk. Whether the risks involved championing an unpopular opinion, the possibility of ruining a professional career, or irrevocably offending family, for Franzen, “the writer has to be like the firefighter, whose job, while everyone else is fleeing the flames, is to run straight into them.”Bajadas / Francisco CantúGirl / Alexander CheeAgainst honeymoons / Charles ComeyNames / Paul CrenshawOrdinary girls / Jaquira DíazMy father and the wine / Irina DumitrescuMy heart lies between "the fleet" and "all the ships" / Ela HarrisonThe bonds of battle / Sebastian JungerSexual paranoia / Laura KipnisThin places / Jordan KisnerPyre / Amitava KumarOf human carnage / Richard M. LangeBastards / Lee MartinFamily tradition / Lisa NikolidakisThe lost sister : an elegy / Joyce Carol OatesRight/left : a triptych / Marsha PomerantzBig night / Jill Sisson QuinnKilling like they do in the movies / Justin Phillip ReedA general feeling of disorder / Oliver SacksIn praise of contempt / Katherine E. StandeferThe eleventh commandment / George SteinerNamesake / Mason StokesBlack and blue and blond / Thomas Chatterton Williams
"Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother -- her only family -- is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world -- including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong."--Jacket
A magnum opus for our morally complex times from the author ofFreedom. Purity Tyler, known to all as Pip, is an outspoken, forthright young woman struggling to make a life for herself. She sleeps in an rickety commune in Oakland. She's in love with an unavailable older man and is saddled with staggering college debt. She has a crazy mother and doesn't know who her father is. A chance encounter leads her to an internship in South America with the world-famous Sunlight Project, the president of which is Andreas Wolf, a charismatic genius who grew up privileged but disaffected in the German Democratic Republic. Like numerous women before her, she becomes obsessed with Andreas, and they have an intense, unsettling relationship. Eventually, he finds her work back in the United States. What lies underneath is a wild tale of hidden identities, secret wealth, neurotic fidelity, sociopathy, and murder. The truth of Pip's parentage lies at the centre of this maelstrom, but before it is resolved Franzen takes us from the rain-drenched forests of northern California, to paranoid East Berlin before the fall of the Wall, to the paradisiacal mountain valleys of Bolivia, exposing us to the vagaries of radical politics, the problematic seductions of the internet, and the no-holds-barred war between the sexes. Featuring an unforgettable cast of inimitable Franzenian characters, Purity is deeply troubling, richly moving, and hilarious.
Franzen presents new translations and annotations of the work of early twentieth-century satirist Karl Kraus, who, via his self-published magazine Die Fackel, "attacked the popular media's manipulation of reality, the dehumanizing machinery of technology and consumer capitalism, and the jingoistic rhetoric of a fading empire"--Dust jacket flap.
This collection of Franzen's non-fiction confirms his status not only as a great American novelist but also as a master noticer, social critic, and self-investigator. In 'Farther Away', he returns to the themes, both human and literary, that have long preoccupied him.