Tony Tanner Books

'Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat.' Spirited and impulsive, Marianne Dashwood is the complete opposite to her controlled and sensible sister, Elinor. When it comes to matters of the heart, Marianne is passionate and romantic and soon falls for the charming, but unreliable Mr Willoughby. Elinor, in contrast, copes stoically with the news that her love, Edward Ferrars is promised to another. It is through their shared experiences of love that both sisters come to learn that the key to a successful match comes from finding the perfect mixture of rationality and feeling.

Nabokov - Borges - Ellison - Bellow - Heller - Purdy - Hawkes - Barth - Plath - Updike - Roth - Mailer - Kesey.

Nietzsche said that he never travelled anywhere without a volume of Emerson's essays in his pocket, while Mathew Arnold described Emerson as 'the greatest prose writer of the century'. It is a remarkable writer who could at once appeal to a man considered a pillar of Victorian society, and to a man dedicated to bringing down such pillars. In his own time Emerson was considered a profoundly radical thinker, but after his death he was increasingly seen as a bland Boston Brahmin, contentedly ripening with the new England melons, benignly meditating on such viperous notions as the Over–soul.He is now appreciated as one of the truly seminal American writers, refusing all orthodoxies, complacencies and fixities—both a truly celebratory and deeply adversarial thinker. A unique paperback edition, with introduction and chronology of Emerson's life and times.

HarperCollins is proud to present its range of best-loved, essential classics. 'Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat.' Spirited and impulsive, Marianne Dashwood is the complete opposite to her controlled and sensible sister, Elinor. When it comes to matters of the heart, Marianne is passionate and romantic and soon falls for the charming, but unreliable Mr Willoughby. Elinor, in contrast, copes stoically with the news that her love, Edward Ferrars is promised to another. It is through their shared experiences of love that both sisters come to learn that the key to a successful match comes from finding the perfect mixture of rationality and feeling.

This classic story of high adventure, manic obsession and metaphysical speculation was Melville's masterpiece. This edition includes passages from Melville's correspondence with Nathaniel Hawthorne, in which the two discuss the philosophical depths of the novel's plot and imagery.

Tanner guides us through Austen's novels from optimistic early works to the darker Persuasion and fragmentary Sanditon--a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection.

In 1918 Ernest Hemingway went to war, to the 'war to end all wars'. He volunteered for ambulance service in Italy, was wounded and twice decorated. Out of his experiences came A Farewell to Arms. Hemingway's description of war is unforgettable. He recreates the fear, the comradeship, the courage of his young American volunteer and the men and women he meets in Italy with total conviction. But A Farewell to Arms is not only a novel of war. In it Hemingway has also created a love story of immense drama and uncompromising passion.

Eugenia, Baroness Mnster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, butshe is baffled by these people, 'to whom fibbing was not pleasing'. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with 'no fear of not being, in the end, agreeable'.

Dr Tanner investigates American literature with regards to wonder and cultivated naivety.