The book presents a compelling argument that explores a specific thesis or perspective, delving into its implications and supporting evidence. It engages with various viewpoints, challenging conventional wisdom and encouraging readers to reconsider established beliefs. Through a blend of analysis and narrative, it invites readers to reflect on the broader themes and contexts surrounding the topic at hand, making it a thought-provoking read for those interested in deepening their understanding of the subject.
Jeremy Tambling Book order (chronological)




[Penguin Readers Level 3]David Copperfield's happy life suddenly changes when his mother marries again. Her new husband, Mr Murdstone, does not like David at all. He is cruel to him and then sends him away to school. Here David makes friends, but he is unhappy. When David is ten, his mother dies and Mr Murdstone sends him to work in London. David hates his job so he decides to run away to his father's aunt. He starts his journey with no money for the coach or for food. But his life of adventure, love and friendship has begun.
In Lost in the American City , Jeremy Tambling looks at European reactions to America and American cities in the nineteenth-century. Dickens visited America in 1842 and his American Notes and Martin Chuzzlewit set the agenda for future discussions of America. Lost in the American City looks at the Dickens legacy through Henry James in The American Scene , through H.G. Wells in The Future in America , and through Kafka, whose novel America (or The Man Who Was Never Heard of Again ) tried to re-write Dickens. Lost in the American City explores the changes in American nineteenth century urban culture which made America so different and so impossible to map for the European, and which made American modernity so unreadable and challenging.
Open Guides to Literature: Narrative and Ideology
- 136 pages
- 5 hours of reading
Explores why it matters that texts exist in the form of stories, and how they rest upon cultural and social assumptions (how narratives are always ideological).