Max Schuchart Books

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages, it fell by chance into the hands of the hobbit Bilbo Baggins. From his fastness in the Dark Tower of Mordor, Sauron's power spread far and wide. He gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion. On Bilbo's eleventy-first birthday, he disapeared, bequeathing to his young cousin, Frodo, the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom. THE LORD OF THE RINGS tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider. --back cover

As a rule, a good novel does not always make a good play––especially a novel as unconventional as this one by Dylan Thomas. But Andrew Sinclair’s brilliant adaptation of Adventures in the Skin Trade is the exception. This is the story of young Samuel Bennet––a not entirely innocent provincial––who leaves his Welsh home to let adventure find him in London. Sam is soon deeply involved––all the while with his finger stuck fast in an ale bottle––with a fantastic assortment of odd characters whom only Dylan Thomas could have conceived. What The Times Literary Supplement said about Adventures in the Skin Trade as a novel still applies to the play: “There is no doubt of Thomas’s genius as a comic writer … there are memorable images and phrases on every page.” One reason is Andrew Sinclair’s exceptionally skillful adaptation.

Peri Diyarı tehlikeli bir yerdir ve ihtiyatsız ayaklar için pek çok çukur, fazla cüretli olanlar için pek çok zindan barındırır... Peri masallarının dünyası engin, derin ve yüksektir, ve birçok şeyle doludur: Orada her tür hayvan ve kuş; kıyısız denizler, sayısız yıldız; kendisi bir büyü olan güzellik, ve her daim mevcut bir tehlike; kılıç kadar keskin coşku ve hüzün vardır. O diyara girmiş bir insan orayı gördüğü için kendini talihli sayabilir, ama Peri Diyarı'nın zenginliği ve tuhaflığı gezginin dilini bağlar, anlatamaz. Ve orada bulunduğu sürece, çok fazla soru sorması tehlikelidir, çünkü kapılar yüzüne kapanabilir ve anahtarlar kaybolabilir. Yayına Hazırlayan: Evrim Öncül Sanat Yönetmeni: İnci Batuk Kürkçügil Sayfa Düzeni Baskıya Hazırlık: Yeşim Ercan

A number-one New York Times bestseller when it was originally published, THE SILMARILLION is the core of J.R.R. Tolkien's imaginative writing, a work whose origins stretch back to a time long before THE HOBBIT. Tolkien considered THE SILMARILLION his most important work, and, though it was published last and posthumously, this great collection of tales and legends clearly sets the stage for all his other writing. The story of the creation of the world and of the the First Age, this is the ancient drama to which the characters in THE LORD OF THE RINGS look back and in whose events some of them, such as Elrond and Galadriel, took part. The three Silmarils were jewels created by Feanor, most gifted of the Elves. Within them was imprisoned the Light of the Two Trees of Valinor before the Trees themselves were destroyed by Morgoth, the first Dark Lord. Thereafter, the unsullied Light of Valinor lived on only in the Silmarils, but they were seized by Morgoth and set in his crown, which was guarded in the impenetrable fortress of Angband in the north of Middle-earth. THE SILMARILLION is the history of the rebellion of Feanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all their heroism, against the great Enemy. This second edition features a letter written by J.R.R. Tolkien describing his intentions for the book, which serves as a brilliant exposition of his conception of the earlier Ages of Middle-earth.

An extraordinary discovery is waiting for you on these pages. Mythic lore and forgotten legends unearthed by Christopher Tolkien from his father's archives unveil never-before-told stories of the three ages of ancient Middle-earth. THE FIRST AGE Young lord Turin fled from Morgoth’s forces, wandering in disguise as an outlaw until he could avenge his people against the evil that had razed his home. But Turin lived under the curse of a hateful dragon—and the lord’s secret identity hid more than he knew. THE SECOND AGE Prince Aldarion’s heart belonged to Erendis, but his passion lay with the ocean, and the great ships that sailed beyond the sight of the land. But no man could serve two mistresses—and no mortal’s love could withstand the lure of the sea. THE THIRD AGE The great warrior Isildur escaped with the One Ring, cut from the Dark Lord Sauron’s hand, to hide it from Evil’s grasp. But Isildur would learn the burden of a ringbearer—and of its temptation and despair.

"... a personal as well as historical story that crisscrosses the centuries on the question of war & peace." - NY Times This magical account of King Arthur's last night on earth spent weeks on the New York Times Best-seller List following its publication in 1977. Even in addressing the profound issues of war & peace, The Book of Merlyn retains the life & sparkle for which White is known. The tale brings Arthur full circle, an ending, White wrote, that "will turn my completed epic into a perfect fruit, 'rounded off & bright & done'."