Linda De Angelis Books

Inspector Thomas Lynley of Scotland Yard, who first appeared in "A Great Deliverance", investigates the murder of a playwright at a Scottish country house hotel, where the members of a West End theatre company have assembled for the first reading of a controversial new play.

The acclaimed international bestseller set around the Tudor court during the years when Henry VIII traded his mistress Mary Boleyn for courtship of her sister Anne - and the revolutionary sequence of events that followed.

New York cab driver Yuri Davydov is a disgruntled Russian immigrant ready to lash out at his adoptive nation, which he believes has denied him the American Dream. As a former technician in the Soviet Union's biological weapons system, Yuri knows how to wreak havoc in his new home. But before he executes his masterpiece of vengenance, he experiments first on selected targets. Dr Jack Stapleton begins to witness some unusual cases in his capacity as forensic pathologist in the City medical examiner's office. A Greek immigrant apparently succumbs to sudden overwhelming pneumonia, while an obese Afro-American woman collapses with acute respiratory distress. When an unexpected coincidence suggest to Jack that these seemingly unrelated deaths are actually connected murders, his colleagues and superiors remain sceptical. Meanwhile he is taking himself deeper into deadly danger - but can he reach the heart of the puzzle before Davydov and his associates unleash into the streets of New York the ultimate terror: a modern bio-weapon?

Rome, 1520. The Eternal City is in mourning after the sudden death of Raphael Sanzio, the beloved painter and national hero. His body lies in state at the Pantheon, while nearby, Margherita Luti, a baker's daughter and Raphael's beloved, seeks refuge at the convent of Sant'Apollonia. Once a cherished figure in Roman society, she is now an outcast, pursued by powerful enemies within the Vatican. Margherita, who appeared as the Madonna in many of Raphael's works, finds herself at a crossroads. The Mother Superior agrees to admit her, but first, Margherita must relinquish the ruby ring she wears, a symbol of her connection to Raphael and their scandalous love. The ring, with its storied past, must be returned to the Church, or she will be cast out into the streets. Within the convent's walls, Margherita grapples with her decision, reflecting on her life with Raphael—the love and torment encapsulated in that one precious jewel.