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Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ—the curse that has haunted the Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim. Diaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. A true literary triumph, The Brief Wondrous Life of Oscar Wao confirms Junot Diaz as one of the best and most exciting voices of our time.

Cape Breton Island, Nova Scotia, rond 1900: de jonge pianostemmer James wordt met zijn kindbruidje Materia verbannen naar een eenzaam huis op een klif. Tot elkaar veroordeeld vechten zij en hun dochters zich door het leven. Laten wij aanbidden is een adembenemende geschiedenis die de lezer nog lang bijblijft. Een roman voor wie houdt van de Brontës, Annie Proulx en Carol Shields.

Een jonge Duitse weduwe trekt na de Tweede Wereldoorlog met haar twee zoontjes naar haar zwager in Zuid-Amerika om er een nieuw leven op te bouwen, maar alles loopt anders dan zij verwachten.

Zoals alle tieners uit heden en verleden hunkert Liza Normal naar roem. Helaas voor haar is ze echter geen meisje dat voor het succes. In de wieg is gelegd. Eerder voor het tegendeel. Gehinderd door de vulkanische ambities van haar moeder en haar eigen gebrek aan smaak beleeft Liza de ene afgang na de andere; zeperds, dompers en rampzalige liefdes. Het enige wat in haar voordeel werkt is het feit dat ze een veel beter mens is dan het sterretje dat ze zou willen zijn. Liza is onverwoestbaar. En als ze zich ten slotte verzoent met haar bestaan in de marge, breekt het uur aan van haar zoete wraak op de Hollywoodmythen die haar al die tijd tot wanhoop hebben gedreven.

/ 9041406026 / Literature translated into Dutch / Nederlands / Dutch / Néerlandais / Niederländisch / paperback / 22 x 14 cm / 227 .pp /

A young man arrives in the Ukraine with a tattered photograph, a bad translator, a man haunted by memories and an undersexed guide dog - he is looking for the woman who saved his grandfather from the Nazis. What they find turns all their worlds upside down.

The same fascination with mother-daughter relationships that made Tan’s debut novel, The Joy Luck Club (1989), so captivating drives her newest, an even more polished and provocative work. Compulsively readable and beautifully structured around three richly metaphorical themes--bones, ghosts, and ink--this novel tells the stories of three generations of women, beginning at the turn of the twentieth century in a small Chinese village, where the bonesetter, a skilled healer, defies tradition and teaches his daughter everything he knows. Intelligent and willful, she vehemently rejects the marriage proposal of the vulgar coffinmaker, who curses her, thus setting in motion a tragic sequence of events that continues to unfold a century later in San Francisco, where a Chinese American woman finally reads the memoir her mother wrote for her. Although Ruth’s a ghostwriter for New Agey self-help books, the advice she formulates hasn’t helped her achieve genuine intimacy with her live-in boyfriend or cope with her argumentative mother, who has long been haunted by the ghost of a woman she calls Precious Auntie. Widowed since Ruth was a toddler, China-born and -raised calligraphy artist Luling still speaks stilted English in spite of decades of California life, and now she appears to be afflicted with Alzheimer’s. As Ruth moves back home to care for Luling, she is assailed by memories of her own difficult childhood, then discovers that Precious Auntie, the bonesetter’s daughter, is actually her grandmother. As Tan tells the spellbinding stories of these three strong, self-sacrificing women in this lucent novel of deep feelings and gentle humor, she weaves in stripes of vivid Chinese history, including the discovery of Peking Man, ponders what’s bred in the bone, and celebrates the preservation of family history as an act of love and a conduit for forgiveness.