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Mea M. Flothuis

    Gordon
    De donkere kamer
    Valse Verwachting
    A Rich Full Death
    Second Nature
    A Bend in the River
    • A Bend in the River

      • 278 pages
      • 10 hours of reading

      In the "brilliant novel" ( The New York Times ) V.S. Naipaul takes us deeply into the life of one man—an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

      A Bend in the River
      3.8
    • Second Nature

      • 290 pages
      • 11 hours of reading

      Robin begins to realize the intricacy of what it means to be human when she rescues an innocent man mistaken for a beast and takes him home with her.

      Second Nature
      3.7
    • A Rich Full Death

      • 204 pages
      • 8 hours of reading

      Establishing Dibdin as a master of the historical mystery, "A Rich Full Death" begins in 1855 Florence at the hanging of Isabel Eaken. Engrossing, lively, lush with details, this evocative story has been seamlessly created from both fact and fancy, characters both imagined and real.

      A Rich Full Death
    • Valse Verwachting

      Waarheid, leugens en het onverwachte op weg naar het moederschap

      • 322 pages
      • 12 hours of reading

      Kritische analyse van de maatschappelijke bejegening van (aanstaande) moeders, met name in de Verenigde Staten.

      Valse Verwachting
    • De donkere kamer

      • 264 pages
      • 10 hours of reading

      Drie heel gewone Duitsers uit 1930, 1945 en 1995 krijgen te maken met de Tweede Wereldoorlog of de gevolgen daarvan.

      De donkere kamer
    • Gordon

      • 240 pages
      • 9 hours of reading

      Originally written under a pseudonym, this thrilling novel of passion in post-World War II London was banned upon its publication in the late 1960s, and is only now being republished under the author's real name. Edith Templeton creates an indelible character in the smartly dressed Louisa, a savvy young woman in the midst of a divorce who meets a charismatic man in a pub and within an hour has been sexually conquered by him on a garden bench. Thus begins her baffling but magnetic love affair with, and virtual enslavement to, Richard Gordon. Gordon, a psychiatrist, keeps Louisa in his thrall with his almost omniscient ability to see through her and she, in turn, is gripped by the deep, unexpected pleasure of complete submission. As they venture further and further into the depths -- both psychological and sexual -- she begins, for the first time, to understand her troubled history and the self that has emerged from it. In her clean, precise style, with every social nuance and motive exquisitely observed, Templeton delivers a tightly wound drama, unsparingly forthright in its description of how this form of love can bring incomparable rapture. Louisa's unsettling story has more than the ring of truth to it: it is told with urgency and relish, and its outcome, which leaves Louisa enlightened and changed forever, is profoundly satisfying.

      Gordon
      3.3