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Raymond Carver

    May 25, 1938 – August 2, 1988

    Raymond Carver is celebrated as a master of the short story who profoundly reshaped American literature. His distinctive style employs a precisionist realism, capturing the lives of ordinary people, often from working-class and marginalized backgrounds. Carver's meticulous economy of language brings lives into sharp focus, revealing hidden depths within seemingly insignificant details. His work, frequently set in mundane environments, explores themes of loss, longing, and the search for meaning, with his later writings often conveying a sense of growing redemption and expansiveness.

    Raymond Carver
    Cathedral: Stories
    Will You Please Be Quiet, Please?
    All of Us
    Where I'm calling from: New and selected stories
    The stories of Raymond Carver
    Raymond Carver: Collected Stories (Loa #195): Will You Please Be Quiet, Please? / What We Talk about When We Talk about Love / Cathedral / Stories fro
    • 2010

      This fascinating collection contains the original, unedited stories Raymond Carver wrote for what became - at the hands of his editor Gordon Lish - What We Talk About When We Talk About Love

      Beginners
    • 2009

      Raymond Carver's writing delves into the lives of individuals facing poverty and deprivation, marked by a haunting minimalism and subtle violence. His earlier works exemplify "dirty realism," characterized by their starkness and ambiguity. However, in later collections like Cathedral, Carver showcases a broader emotional range, revealing deeper connections with his characters and adopting a more expansive narrative style reminiscent of Chekhov. This evolution highlights his ability to blend detachment with empathy, enriching the landscape of American fiction.

      Raymond Carver: Collected Stories (Loa #195): Will You Please Be Quiet, Please? / What We Talk about When We Talk about Love / Cathedral / Stories fro
    • 2008
    • 2003
    • 2001

      Call If You Need Me

      • 256 pages
      • 9 hours of reading
      3.9(41)Add rating

      When he died in August 1988, Raymond Carver had just published what were thought to be his last stories in the collection entitled Elephant and his own collection of stories, Where I'm Calling from. schovat popis

      Call If You Need Me
    • 1997

      All of Us

      • 416 pages
      • 15 hours of reading
      4.4(2063)Add rating

      This prodigiously rich collection of poems suggests that Raymond Carver was not only America’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please.  It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.

      All of Us
    • 1994

      A New Path to the Waterfall

      • 160 pages
      • 6 hours of reading
      4.2(1067)Add rating

      Raymond Carver, author of 'Where I'm Calling From', is widely considered one of the great short story writers of our time. A New Path to the Waterfall was Carver's last book, and shows a writer telling the truth as best as he knows how in the time left to him. The sixty-odd poems in this collection are linked by Carver with selections from other writers, most notably Chekhov, whose work was an inspiration and a guide, and by the cumulative force of the life and death questions he poses in them. As Rilke's Letters to a Young Poet guided countless readers discovering their true love and work, Carver's book will guide those in the process of celebrating a limited life and mourning the inescapable end of it. A New Path to the Waterfall is an essential book for those who admire Carver's work, and testament to the transcendent strength of the human spirit. In her introductory essay, Tess Gallagher, Carver's companion and fellow writer, lays out the circumstances of their last years together with matter-of-fact grace.

      A New Path to the Waterfall
    • 1993

      From “one of the great short story writers of our time” (The Philadelphia Inquirer)—nine stories and a poem that offer a searing portrait of American innocence and loss—and formed the basis for the film “Short Cuts” directed by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books). Features stories from the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman.

      Short Cuts
    • 1989

      Fires

      • 208 pages
      • 8 hours of reading
      4.2(2662)Add rating

      Contains four essays, including a memoir of the author's father's working life in the saw-mills of the Pacific Northwest, a tribute to his mentor John Gardner, and an essay about the influences on his writing life; fifty poems; and, seven stories.

      Fires
    • 1989

      The final story collection from “one of the great short story writers of our time” (The Philadelphia Inquirer) features classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier volumes. • “Among the masterpieces of American fiction." —The New York Times Book Review By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story, a writer who had not only found his own voice but imprinted it in the imaginations of thousands of readers. Where I’m Calling From, his last collection, includes seven new works previously unpublished in book form. Together, these 37 stories give us a superb overview of Carver’s life work and show us why he was so widely imitated but never equaled.

      Where I'm calling from: New and selected stories