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Sławomir Mrożek

    June 29, 1930 – August 15, 2013

    Sławomir Mrożek was a Polish dramatist and writer whose works belong to the Theatre of the Absurd. His plays often employ non-realistic elements, political and historical references, distortion, and parody to shock audiences and provoke thought. He became known for influential pieces that, despite their bitterness and irony, offer profound insights into the human condition. Mrożek's distinctive style explores the absurdities of the world, seeking deeper truths within them.

    Amor und andere Stücke
    Policja
    Lolo und andere Geschichten
    Visegrad Drama III., The Sixties
    The Elephant
    The Mrożek reader
    • 2010

      The Elephant

      • 176 pages
      • 7 hours of reading
      3.9(204)Add rating

      The Elephant (1957) is Slawomir Mrozek's award-winning collection of hilarious and unnerving short stories, satirising life in Poland under a totalitarian regime. The family of a wealthy lawyer keep a �tamed progressive� as a pet; a zoo saves money for the workers by fashioning their elephant from rubber; a swan is dismissed from the municipal park for public drunkenness; and under the Writers� Association, literary critics are banished to the salt mines. In these tales of bureaucrats, officials and artists, Mrozek conjures perfectly a life of imagined crimes and absurd authority.

      The Elephant
    • 2009
    • 2004

      S3awomir Mro¿ek has reigned as the pre-eminent playwright and satirist of Eastern Europe for the past half-century. A sharp critic of all oppressive systems during the Cold War, he began his career as a young enthusiast for the new Communist regime in the early 1950s. It didn't take long, however, until he was deemed such a threat that his work was banned not only in his native Poland, but also in all Eastern bloc countries. After the fall of Communism, he returned home from self imposed exile in the West and was recognized as a major literary figure. This reissue of fourteen plays and ten short stories, along with a sampling of his capricious cartoons, affirms Mro¿ek's mastery of a wide spectrum of styles, and illustrates the development of his talent over the decades. From the vantage point of the twenty-first century, Mro¿ek's questioning of authority, his razor-sharp sense of the comic, and his spirit of contradiction seem as fresh, and as relevant, as ever.

      The Mrożek reader