Alberto Giacometti Book order

The book emphasizes the importance of foundational skills in painting, suggesting that aspiring artists should begin by replicating simple objects, such as an apple. This advice highlights the value of observation and practice in developing artistic techniques. Through this approach, the author encourages young painters to build confidence and mastery before exploring more complex subjects.

Exploring the concept of sculpture, the book delves into the idea that a sculpture transcends being a mere object; it embodies a dynamic process of questioning and responding. It emphasizes that true artistry lies in the perpetual state of inquiry, suggesting that sculptures are never truly complete or flawless, but rather ongoing dialogues that challenge perceptions and provoke thought.

Exploring the relationship between copies and original works of art, the author argues that creating copies serves as an invaluable educational tool for artists. This perspective emphasizes that engaging with masterpieces through replication enhances understanding and skill, suggesting that the act of copying is not merely imitation but a profound learning experience. The book delves into the significance of art encounters and the transformative potential of studying great works through copying.

The narrative explores themes of overcoming fear and personal transformation. The protagonist embarks on a journey of self-discovery, shedding past anxieties and embracing a newfound sense of empowerment. As they navigate challenges, the story highlights resilience and the importance of facing one's inner demons. Through introspective moments and encounters with others, the character evolves, ultimately finding strength and courage in their vulnerability. This compelling journey inspires readers to confront their own fears and embrace change.

Alberto Giacometti (1901−1966) and Francis Bacon (1909−1992) are two artists whose bodies of work influenced twentieth-century art and continue to resonate to this day. What turned them into icons in their field has to do with their individual lifestyles, as well as with the historical, social, and aesthetic upheavals in Europe after 1945, which each artist reflected upon in his ouevre. The Fondation Beyeler has ambitiously undertaken a juxtaposition of the two artists in a large, upcoming exhibition in 2018. In a fascinating way, the meeting of the two artists’ work here is like a dialogue about space and time, in which it is possible to recognize each man’s art in the work of the other. The show’s companion catalogue continues to intensify and carry on this conversation in words and pictures. Exhibition: Fondation Beyeler, Riehen/Basel 25.4.–2.9.2018

"Pablo Picasso and Alberto Giacometti, each in their own way, deeply disrupted existing artistic codes and pushed the limits of established aesthetic canons in the realms of painting and sculpture. This volume reveals the little known relationship--both artistic and personal--between the artists and their dialogue on the subjects and questions central to their work. More than one hundred reproductions of Picasso and Giacometti's works establish clear correlations in their artistic production, and expert authors offer incisive insight on these links, drawing on previously unpublished documents. A constellation diagram maps out the vast network of their shared acquaintances and sources of inspiration, and an anthology of historical texts offers perspective from contemporaries of the master artists" --publishers' description, page [4] of jacket

Fünfzig Jahre nach dem Tod Alberto Giacomettis (1901–1966) wirft dieses Buch neues Licht auf grundlegende Aspekte des Schaffens und die Arbeitsprozesse des weltbekannten Schweizers. Ausgangspunkt sind 75 kostbare Originalgipse aus dem Nachlass des Künstlers, die 2006 als Schenkung von Bruno und Odette Giacometti an die Alberto Giacometti-Stiftung im Kunsthaus Zürich gelangten, wissenschaftlich untersucht und sorgfältig restauriert wurden. Gips als Arbeitsmaterial hatte für Giacometti grosse Bedeutung: Er erlaubte ihm, seine Objekte auf vielfältige Weise zu bemalen oder zu bearbeiten. Nicht wenige seiner Skulpturen existieren nur in einer Gipsversion. Anhand zahlreicher Meisterwerke aus allen Schaffensphasen stellt die neue Monografie den künstlerischen Umgang Giacomettis mit der Materialität seiner Werkstoffe in den Mittelpunkt und macht den schöpferischen Prozess eines Jahrhundertkünstlers erfahrbar. Die kostbaren und fragilen Gipse stehen dabei im Fokus. Einbezogen werden aber auch zahlreiche Skulpturen in anderen Materialien wie Plastilin, Stein, Ton, Holz und Bronze.