Miguel de Unamuno was a significant Spanish modernist writer, masterfully blending essays, novels, poetry, and drama to blur the lines between genres. His work delves into profound philosophical questions, exploring the nature of human existence, faith, and doubt. Unamuno often focused on the internal conflicts and existential dilemmas of his characters. His unique style and intellectual depth make him a pivotal figure in 20th-century Spanish literature.
This collection features three exceptional works of fiction known as nivolas, a unique literary form created by Unamuno. These pieces delve into profound themes and explore the complexities of human experience, offering readers a distinctive narrative style that challenges traditional storytelling. Each story invites reflection and engages with philosophical questions, showcasing Unamuno's innovative approach to literature.
Set against the backdrop of the Second Carlist War in the Basque country, this first English translation of Unamuno's debut novel offers a glimpse into a tumultuous period in Spanish history. Written when the author was just 33, the narrative reflects his childhood experiences during the conflict of 1874-1876. The novel captures the complexities of identity and nationalism, providing insight into the cultural and political landscape of the time.
A novel that features Augusto Perez, the pampered son of a recently deceased mother; the deceitful, scheming Eugenia, whom Augusto obsessively idealizes; and, Augusto's dog Orfeo, who gives a funeral oration upon his master's death. schovat popis
These 13 short stories by 5 authors of the era include 4 tales by Miguel de Unamuno famed as a novelist, essayist, and poet, and one of the few internationally known and acclaimed Spanish writers of the 20th century along with the works of Valle-Inclaan, Blasco Ibanez, Baroja, and "Azorain" (José Martainez Ruiz)
The Basque philosopher and poet meditates on man's quest for knowledge, love, immortality, and spiritual salvation.
This edition features the first English translation of the Diario Intimo, offering readers intimate insights into the author's thoughts and experiences. Alongside the diary, a selection of letters enriches the narrative, providing a deeper understanding of the author's relationships and context. This collection is significant for those interested in personal reflections and historical perspectives, making it a valuable addition to literary and historical studies.
Ficciones: Four Stories and a Play
Exploring the fluidity between genres, the collection features four stories and a play that showcase Unamuno's unique approach to literature. His works, such as "Tia Tula" and "Saint Manuel Bueno, Martyr," blur the lines between essays and fiction, reflecting his rejection of conventional literary classifications. This collection highlights Unamuno's innovative storytelling and philosophical insights, inviting readers to engage with profound themes in an unconventional format.
Die Entstehungsgeschichte dieses postmodern anmutenden Textes ist einigermaßen komplex: Der 61jährige Miguel de Unamuno schrieb 1925 im selbstgewählten Exil in Paris eine Erzählung namens Wie man einen Roman macht, die er aber wegen der herrschenden Militärzensur nicht in Spanien veröffentlichen wollte, sondern 1926 in der Übersetzung von Jean Cassou in der Zeitschrift ›Mercure de France‹ publizierte, eingeleitet von einem Unamuno-Portrait aus der Feder Cassous. Zwei Jahre später denkt er doch an eine spanische Ausgabe (die dann auch 1927 erscheint, allerdings in Argentinien), die nun allerdings mehrfach gebrochen ist: mehr als die Hälfte des Buches besteht aus einem neuen Vorwort, dem erwähnten Portrait Unamunos und seinem Kommentar zu diesem Portrait, und der Text selbst ist nicht die Originalfassung, sondern Unamunos Rückübersetzung der französischen Fassung. Der ursprüngliche Essay aus den bitteren Jahren der Verbannung wird so zu einer einzigartigen Mischform aus Autobiografie, Tagebuch, Dialog und Reflexion über das Wesen von Literatur und realer Biografie.
"Abel Sánchez" supone la incorporación a la trayectoria novelística de Unamuno de un nuevo modo narrativo: el confesional. Un tema que pertenece al acervo de la cultura y que ha sido abordado por la literatura en todos los géneros recibe aquí un doble tratamiento, ya que puede ser leída como otra versión de la vieja historia de Caín y Abel -una historia de pasión- o como el análisis de la interioridad de un personaje -la historia de una pasión-. Más allá todavía de ello, Unamuno trata de penetrar en lo que se ha señalado como vicio histórico de los españoles, la envidia y el cinismo. Edición de Isabel Criado Miguel.