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Gertrud von le Fort

    October 11, 1876 – November 1, 1971

    Gertrud von Le Fort was a German writer whose works, deeply shaped by her conversion to Catholicism, explore profound spiritual and existential themes. Her literary output, encompassing novels, poems, and essays, often draws upon historical and religious narratives, demonstrating a unique capacity for psychological insight. She excels at portraying characters' inner struggles and their quest for meaning, offering readers a thought-provoking and enriching experience. One of her novellas served as the foundation for a notable opera, underscoring her significant impact on the arts.

    Gertrud von le Fort
    La femme éternelle
    Der Kranz der Engel
    Die Magdeburgische Hochzeit
    The song at the scaffold
    The wife of Pilate and other stories
    The innocents and other stories
    • The innocents and other stories

      • 150 pages
      • 6 hours of reading
      4.4(15)Add rating

      Newly translated into English for the first time, these four novellas from the acclaimed German writer Gertrud von le Fort are from her later works of historical fiction. Ominous and mysterious, these page-turning stories bring to life momentous chapters in from the past. The Innocents, set in Germany after the Second World War, is a poignant family drama about the horrors of war, the suffering of the innocent, and the demands of justice. The Ostracized Woman traces the fate of a Prussian family at the end of World War II to the heroic deed of an ancestor done centuries before. The Last Meeting imagines the last encounter between Madame de La Valliére and Madame de Montespan, rival mistresses of King Louis XIV of France. The Tower of Constancy leads the reader into the heart of the infamous French prison of the same name while exploring the role of conscience in the religious and philosophical conflicts of the eighteenth-century.

      The innocents and other stories
    • The wife of Pilate and other stories

      • 175 pages
      • 7 hours of reading

      "The Wife of Pilate imagines the slow, arduous transformation of an aristocratic woman, who is mentioned in the New Testament, from a pagan into a Christian saint, as she is now honored in the Byzantine Church. Plus Ultra takes us into the high politics of early sixteenth-century Europe, and into the soul of a lonely young lady at court who knows she has attracted the intoxicating but dangerous attention of the Emperor Charles V himself. At the Gate of Heaven takes the clash between astronomical discoveries and the Roman Inquisition trial of Galileo as the backdrop for harrowing reflections about man's place in the cosmos."--Page 4 of cover.

      The wife of Pilate and other stories
    • Wir standen dicht vor dem Eingang eines gotischen Tores, es war verschlossen; aber über ihm, dort wo die beiden Linien seines spitzen Bogens sich berührten, schwebte unter einer offenen Efeuwolke das Urbild jenes lieblichen Symbols der beiden Engel, die mir in meiner ersten Heidelberger Nacht als Enzios und mein Schutzengelpaar erschienen waren: Ein und denselben Kranz haltend, eng aneinandergeschmiegt, wie es die himmlische Ordnung bestimmt hatte, schienen sie mich hier erwartet zu haben, um mir wieder, wie in jener Nacht, zuzurufen: „Alles, was dein eigen ist, es ist vor Gott bereits sein!“

      Der Kranz der Engel
    • L'éternel féminin fascine autant les hommes que les femmes. Les poètes le chantent, les philosophes le scrutent, les théologiens l'exaltent. Ce chef d'œuvre de l'écrivain allemande Gertrud von Le Fort en témoigne, hymne intemporel inspiré par le regard d'Edith Stein, son amie déportée, moniale et fille de sainte Thérèse. Dans une prose déliée et mue par l'Amour, voici l'antidote à la guerre des sexes de Simone de Beauvoir, célébration dans le temps, hors du temps, au-delà du temps d'une féminité transfigurée par la grâce de Dieu.

      La femme éternelle