Rose Terry Cooke and nineteenth-century American literature and culture
- 296 pages
- 11 hours of reading
During her forty-year career, Rose Terry Cooke (1827-1892) published a diverse range of short stories, poems, and essays across various magazines, yet her work remains under-analyzed. Critics often label her as a realist and an early feminist, but her fiction also embodies sentimentalism, complicating the prevailing nineteenth-century ideal of women as wives and mothers. This study aims to provide a nuanced understanding of Cooke by examining the influence of literary and cultural discourses on her work. Analyzing her correspondence with editors reveals her struggle to balance artistic ambitions with familial responsibilities. The study focuses on the interplay between sentimentalism and realism in her short stories, highlighting her engagement with the cultural discourse of domesticity that defined women's roles in her era. Cooke's critical views on marriage often intersect with her discussions of Calvinism, as her harshest husbands are typically stern Calvinists. While she critiques marriage, she also advocates for women's traditional roles, creating tensions within her portrayals. This study addresses these contradictions as central to her work, ultimately challenging the simplistic categories of realism vs. sentimentalism and feminism vs. antifeminism. A brief examination of contemporaries like Mary E. Wilkins Freeman, Elizabeth Stuart Phelps, and Rebecca Harding Davis suggests that these classifications may be inadequate