This author delves into the intricacies of Shakespearean literature with a passion for literary detection. Their work explores the fascinating world of Shakespearean scholarship and textual studies, offering readers a unique lens through which to view seminal works and their origins. As a leading authority on English Renaissance drama, they bring a profound depth of knowledge to their lectures and writings.
The plays are presented as in the First Folio of 1623, with the addition of "Pericles" and variations which are agreed by the best Shakespearean critics. For the most part it is Delius's text that is followed.
This new edition is based on the quarto, the version closest to the original manuscript. The introduction illminates the plays' origins and practicalities of composition, its reception and influence. Detailed notes pay especial attention to language and staging, and the volume includes King Lear's first derivative, a contemporary ballad, and guides to appreciation of the play and its multiple offshoots.
An international team of scholars offers: • modernised, easily accessible texts • ample but unobtrusive academic guidance • attention to the theatrical qualities of each play and its stage history • informative illustrations, including reconstructions of early performances Much Ado has always been popular on the stage. This edition pays special attention to the history and range of theatrical interpretation. The most famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Beatrice and Benedick. In recent times the play's matched plots of two pairs of lovers have been of interest to feminist critics. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language.
Padua holds many suitors for the hand of fair Bianca, but Bianca may not be married until her spitfire sister Kate is wed. Could any man be rash enough to take Kate on? The witty adventurer Petruchio undertakes the task and sets about transforming Kate from foul-tempered termagrant to loving wife.
From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's drama of the conflict between one man's ambition and the good of the state.