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Eric Rasmussen Book order (chronological)

    This author delves into the intricacies of Shakespearean literature with a passion for literary detection. Their work explores the fascinating world of Shakespearean scholarship and textual studies, offering readers a unique lens through which to view seminal works and their origins. As a leading authority on English Renaissance drama, they bring a profound depth of knowledge to their lectures and writings.

    William Shakespeare Complete Works
    The RSC Shakespeare: Julius Caesar
    The Taming of the Shrew
    The Oxford Shakespeare: Much Ado About Nothing
    King Lear
    Complete Works of William Shakespeare
    • The RSC Shakespeare: Julius Caesar

      • 192 pages
      • 7 hours of reading

      From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's drama of the conflict between one man's ambition and the good of the state.

      The RSC Shakespeare: Julius Caesar2011
    • The Taming of the Shrew is one of the most famous and controversial of Shakespeare's comedies.

      The Taming of the Shrew2010
      3.8
    • King Lear

      • 176 pages
      • 7 hours of reading

      Love and hate, loyalty and treachery, cruelty and self-sacrifice: all these contend in a tempestuous drama which has become an enduring classic of the world's literature.

      King Lear2009
      4.1
    • Sparkling with the witty dialogue between Beatrice and Benedict, Much Ado About Nothing is one of Shakespeare's most enjoyable and theatrically successful comedies. This edition offers a newly edited text and an exceptionally helpful and critically aware introduction. Paying particular attention to analysis of the play's minor characters, Sheldon P. Zitner discusses Shakespeare's transformation of his source material. He rethinks the attitudes to gender relations that underlie the comedy and determine its view of marriage. Allowing for the play's openness to reinterpretation by successive generations of readers and performers, Zitner provides a socially analytic stage history, advancing new views for the actor as much as for the critic.

      The Oxford Shakespeare: Much Ado About Nothing2009
      4.0