The abolition of species
- 382 pages
- 14 hours of reading
After mankind's near-extermination, a kingdom of animals harnessing biotechnology wages a multi-planetary war against a new form of artificial intelligence.






After mankind's near-extermination, a kingdom of animals harnessing biotechnology wages a multi-planetary war against a new form of artificial intelligence.
In his notebook, the author and journalist Dietmar Dath offers ten personal meditations, with protagonists including a weasel, Dath's daughter, his father and his friend Mareike. The notebook closes with this recognition: "Not finishing flourishes in art. It is a kind of succeeding. Failure does not come into it. That is because art is there to invent goals, but not to reach them. An exhibition opening is celebrated and talked about. But its end is passed over in silence."
The Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically '"off" large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent a series of five photographs that respond to the "degenerate" mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse . In Demand's interpretation, the horrifying incident is not Biblical; instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project, but do not include the five resulting photographic artworks, which were unveiled during the Summer of 2006 at the Modern Art Museum of Frankfurt.