Simon Leys Book order

Napoleon Bonaparte escapes exile just before death in this quirky alternate history novel that reimagines the life of the great French emperor. “This comic tale of Napoleon’s imaginary yet all-too-human tribulations poses serious questions about the relationship of truth, history and imagination.” —The Wall Street Journal Napoleon has escaped from St. Helena, leaving a double behind him. Now disguised as the cabin hand Eugène Lenormand and enduring the mockery of the crew (Na­po­leon, they laughingly nickname the pudgy, hopelessly clumsy little man), he is on his way back to Europe, ready to make contact with the huge secret organization that will return him to power. But then the ship on which he sails is rerouted from Bordeaux to Antwerp. When Napoleon disembarks, he is on his own. He revisits the battlefield of Waterloo, now a tourist destination. He makes his way to Paris. Mistakes, misunderstandings, and mishaps conduct our puzzled hero deeper and deeper into the mystery of Napoleon. Adapted into Alan Taylor’s 2001 film The Emperor’s New Clothes, The Death of Napoleon is a smart alternative history for the Napoleon obsessed—as deep and compelling as it is quirky and fresh.

An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.

The second of Leys's trilogy on China's Cultural Revolution, describing the cultural and political upheaval under Mao's regime and expressing criticism of its Western supporters.