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Edgar Wind

    May 14, 1900 – September 12, 1971

    Edgar Wind specialized in Renaissance iconography, becoming a significant figure associated with the Warburg Institute. His scholarship focused on the intricate use of allegory and pagan mythology within the art of the 15th and 16th centuries. Wind's interdisciplinary approach wove together art, philosophy, and history, illuminating the hidden meanings within Renaissance masterpieces.

    Das Experiment und die Metaphysik
    Ästhetischer und kunstwissenschaftlicher Gegenstand
    Kunst und Anarchie
    Art and Anarchy
    Experiment and metaphysics
    Pagan Mysteries in the Renaissance
    • 2001

      Experiment and metaphysics

      • 200 pages
      • 7 hours of reading

      Edgar Wind was one of the most distinguished art historians and philosophers of the twentieth century. He made crucial contributions to debates on aesthetics and on the interdisciplinary nature of cultural history involving such other leading figures as Ernst Cassirer and Erwin Panofsky. It is not always realised, however, that his early thinking was moulded by a concern with the German philosophical tradition, culminating in the analysis of the meaning and function of scientific experimentation and proof. This first edition in English of Edgar Wind's important work Das Experiment und die Zur Auflosung der kosmologischen Antinomien (1934) also carries a new introduction by Matthew Rampley, placing Wind's philosophical thinking in context. The work is being published to coincide with the opening in 2000 of the Sackler Library at Oxford, which will include a Wind Reading Room.

      Experiment and metaphysics
    • 1985

      Examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and - perhaps the fundamental weakness of our age - the dispassionate acceptance of art.

      Art and Anarchy
    • 1969