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Berlin's hip present comes up against the city's dark past in these seven supernatural tales by the son of the great filmmaker who "shares his father's curious and mordant wit" (The Financial Times). In these hair-raising stories from the celebrated filmmaker and author Rudolph Herzog, millennial Berliners discover that the city is still the home of many unsettled—and deeply unsettling—ghosts. And those ghosts are not very happy about the newcomers. Thus the coddled daughter of a rich tech executive finds herself slowly tormented by the poltergeist of a Weimer-era laborer, and a German intelligence officer confronts a troll wrecking havoc upon the city's unbuilt airport. An undead Nazi sympathizer romances a Greek emigre, while Turkish migrants curse the gentrifiers that have evicted them. Herzog's keen observational eye and acid wit turn modern city stories into deliciously dark satires that ride the knife-edge of suspenseful and terrifying.
Set against the backdrop of post-Hanseatic Hamburg, the narrative unfolds with a vivid depiction of the city's atmosphere as dawn breaks, evoking a sense of anticipation and movement. The story captures the essence of the Hanseatic identity, blending historical context with rich imagery. Rudolf Herzog, a prolific early 20th-century author, brings to life the intricacies of urban life and the dynamics within the harbor, showcasing his talent for storytelling that resonated with a wide audience during his time.
In the spirit of Dr. Strangelove and The Atomic Café, a blackly sardonic people’s history of atomic blunders and near-misses revealing the hushed-up and forgotten episodes in which the great powers gambled with catastrophe Rudolph Herzog, the acclaimed author of Dead Funny, presents a devastating account of history’s most irresponsible uses of nuclear technology. From the rarely-discussed nightmare of “Broken Arrows” (40 nuclear weapons lost during the Cold War) to “Operation Plowshare” (a proposal to use nuclear bombs for large engineering projects, such as a the construction of a second Panama Canal using 300 H-Bombs), Herzog focuses in on long-forgotten nuclear projects that nearly led to disaster. In an unprecedented people’s history, Herzog digs deep into archives, interviews nuclear scientists, and collects dozens of rare photos. He explores the “accidental” drop of a Nagasaki-type bomb on a train conductor’s home, the implanting of plutonium into patients’ hearts, and the invention of wild tactical nukes, including weapons designed to kill enemy astronauts. Told in a riveting narrative voice, Herzog—the son of filmmaker Werner Herzog—also draws on childhood memories of the final period of the Cold War in Germany, the country once seen as the nuclear battleground for NATO and the Warsaw Pact countries, and discusses evidence that Nazi scientists knew how to make atomic weaponry . . . and chose not to.
In Nazi Germany, telling jokes about Hitler could get you killed. Is it permissible to laugh at Hitler? This is a question that is often debated in Germany today, where, in light of the dimension of the horrors committed in the name of its citizens, many people have difficulty taking a satiric look at the Third Reich. And whenever some do, accusations arise that they are downplaying or trivializing the Holocaust. But there is a long history of jokes about the Nazis. In this groundbreaking volume, Rudolph Herzog shows that the image of the “ridiculous Führer” was by no means a post-war invention: In the early years of Nazi rule many Germans poked fun at Hitler and other high officials. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to jokes about Hitler and the Nazis told during WWII, to the collections of “whispered jokes” that were published in the immediate aftermath of the war, to the horrific accounts of Germans who were imprisoned and executed for telling jokes about Hitler and other Nazis. Significantly, the jokes collected here also show that not all Germans were hypnotized by Nazi propaganda—or unaware of Hitler’s concentration camps, which were also the subject of jokes during the war. In collecting these quips, Herzog pushes back against the argument, advanced in aftermath of World War II, that people were unaware of Hitler’s demonic maneuvering. The truth, Herzog writes, is more troubling: Germans knew much about the actions of their government, joked about it occasionally . . . and failed to act.