Die Blauen Bücher: Architektur der Zwanziger Jahre in Deutschland
- 300 pages
- 11 hours of reading
Rare Book
Reyner Banham Book order (chronological)
March 2, 1922 – March 19, 1988
Peter Reyner Banham was a seminal architectural critic and theorist, renowned for his incisive examination of modernism and its relationship with the machine age. His writings explored how formal aspirations often shaped the functional realities of built structures. Banham was also a pioneer in understanding urban landscapes, notably categorizing Los Angeles into four distinct ecological models to reveal its unique architectural cultures. His critical thinking and foresight positioned him as a conscience of post-war British architecture, as he evolved from utopian ideals to a deeper contemplation of the post-industrial future.
Reyner Banham examined the built environment of Los Angeles in a way no architectural historian before him had done, looking with fresh eyes at its manifestations of popular taste and industrial ingenuity, as well as its more traditional modes of residential and commercial building. His construct of "four ecologies" examined the ways Angelenos relate to the beach, the freeways, the flatlands, and the foothills. Banham delighted in this mobile city and identified it as an exemplar of the posturban future.
Desert Cantos
- 106 pages
- 4 hours of reading
The catalogue for a 1987 traveling exhibition of work by Misrach; his third book. Photographs by Richard Misrach; essay by Reyner Banham. 106 pages; 58 full-page color plates + 9 text illustrations + 1 map; 12 x 9 inches. Biography, bibliography, exhibition history.
Rewolucja w architekturze
- 434 pages
- 16 hours of reading
Banham, historyk i krytyk architektury współczesnej oraz kultury popularnej, którego teksty wpłynęły na pokolenie architektów i historyków architektury nowoczesnej, stawia czoła wyzwaniu związanym z osłabieniem architektury nowoczesnej w latach 50. XX wieku, aby ocalić ją w latach 60. W tej książce kwestionuje pozycję historiografii architektury nowoczesnej w latach 1930-1960, odnosząc się do idei zerwania z tradycją akademicką oraz liniowej ciągłości idei ruchu arts and crafts i inżynierii XIX wieku w architekturze XX wieku.