Alfred Döblin Book order

Alfred Döblin (1878-1957) composed his epic trilogy of South America under difficult circumstances of exile. It was accessible on first publication in 1937-38 only outside Germany, and for only a couple of years before war broke out. The first postwar edition, like others of Döblin's works apart from Berlin Alexanderplatz, was little noticed in a Germany traumatised by Nazism and defeat. Neither the pre-war not the first post-war edition explicitly linked the separate volumes as parts of a unitary work. In the 1960s the separate novels were first brought together by Walter Muschg, editor of the first series of Döblin's 'selected works', under the overall title Amazonas. Muschg, however, decided to cut Volume 3 entirely. Not until 1973 did the trilogy first appear in full, in East Germany. Another 15 years passed before the first complete edition in West Germany. So only in the past three or four decades has this work begun to receive the critical attention it richly deserves. The epic is set mainly in South America, but its true focus is Europe. The urgent guiding proposition is: The Nazis did not emerge from nowhere.

A marriage gone horribly wrong; a secret female friendship and affair; a murder plot. This precursor to the true crime genre is told by Alfred Döblin, one of the giants of 20th century German literature and author of Berlin Alexanderplatz, which was named as one of the Guardian Top 100 Books of All Time.

The great novel of 1920s Berlin life, in a superb new translation by Michael Hofmann Franz Biberkopf is back on the streets of Berlin. Determined to go straight after a stint in prison, he finds himself thwarted by an unpredictable external agency that looks an awful lot like fate. Cheated, humiliated, thrown from a moving car; embroiled in an underworld of pimps, thugs, drunks and prostitutes, Franz picks himself up over and over again - until one day he is struck a monstrous blow which might just prove his final downfall. A dazzling collage of newspaper reports, Biblical stories, drinking songs and urban slang, Berlin Alexanderplatz is the great novel of Berlin life: inventing, styling and recreating the city as reality and dream; mimicking its movements and rhythms; immortalizing its pubs, abattoirs, apartments and chaotic streets. From the gutter to the stars, this is the whole picture of the city. Berlin Alexanderplatz brought fame in 1929 to its author Alfred Döblin, until then an impecunious writer and doctor in a working-class neighbourhood in the east of Berlin. Success at home was short-lived, however; Doblin, a Jew, left Germany the day after the Reichstag Fire in 1933, and did not return until 1945. This landmark translation by Michael Hofmann is the first to do justice to Berlin Alexanderplatz in English, brilliantly capturing the energy, prodigality and inventiveness of Döblin's masterpiece.

"Alfred Doblin was a titan of modern German literature. This collection of stories--astonishingly, the first collection of his stories ever published in English--shows him to have been equally adept in shorter forms. Included in its entirety is Doblin's first book, The Murder of a Buttercup, a work of savage brilliance and a landmark of literary expressionism. Mortality roams the streets of nineteenth-century Manhattan, with a white borzoi and a quiet smile. A ballerina duels to the death with the stupid childish body she is bound to. We experience, in the celebrated title story, a dizzying descent into a shattered mind. The collection is then rounded off with two longer stories written when Doblin was in exile from Nazi Germany in Southern California, including the delightful "Materialism: A Fable," in which news of humanity's soulless doctrines spreads to the animals, elements, and molecules of nature"--

In 1915, fourteen years before Berlin Alexanderplatz, Alfred Doblin published his first novel, an extensively researched Chinese historical extravaganza: The Three Leaps of Wang Lun. Even more remarkably, given its subject matter, the book was written in Expressionist style and is now considered the first modern German novel, as well as the first Western novel to depict a China untouched by the West. It is virtually unknown in English. Based on actual accounts of a doomed rebellion during the reign of Emperor Qianlong in the late 18th century, the novel tells the story of Wang Lun, a historical martial arts master and charismatic leader of the White Lotus sect, who leads a futile revolt of the "Truly Powerless." Densely packed cities and Tibetan wastes, political intrigue and religious yearning, imperial court life and the fate of wandering outcasts are depicted in a language of enormous vigor and matchless imagination, unfolding the theme of timidity against force, and a mystical sense of the world against the realities of power.

As Jewish refugees living in Paris, Doblin and his family were forced to flee Hitler's armies in 1940. This story of his tortured journey through France, Spain, Portugal, and finally to America reads like an adventure novel. Here is Doblin carrying heavy luggage and a manuscript along the dusty roads of France, traveling in a cattle car, stuck in one obscure provincial town after another, in and out of refugee camps, constantly out of money. He had left Paris after his family, and only after desperately searching for them are they reunited. Fortunately, when it comes to their final escape from Europe through Marseille and Lisbon, their passports are prolonged, exit visas granted, and an unknown French civil servant provides them with money for their tickets to America. The last part of the book chronicles Doblin's stay in Hollywood and gives a devastating portrait of Alexanderplatz upon his return to Germany.

"Fascinated by the nature of the Jewish identity, Doeblin, the author of "Berlin Alexanderplatz", a non-practising Jew in Berlin in the 1920s, decided to visit Poland to try to discover his Jewish roots. This book is a record of that journey. He describes Polish-Jewish language and tradition, the striking costumes and colourful markets, and the terrible poverty that surrounded everything. The book is both a personal investigation into ancestry and a portrait of a unique society on the eve of its destruction."