Das Künstlerhaus

More about the book

This work explores the ideal environment for scholars and the role of artist houses in early artist theory. It examines the social context of these houses, particularly at court, and discusses the artist's status within this setting. The book highlights how artist houses served as a form of qualitative remuneration and urban prototypes, reflecting the relationship between artists and their patrons. It delves into the duality of integration and distinction, showcasing how these houses demonstrated the artist's courtly legitimacy. The text also draws parallels between artistic and political practices, incorporating political thought into the iconology of artist houses. Furthermore, it addresses the evolution of the "Belle Arti" within this context, tracing its emancipation in the iconology of artist houses. The narrative culminates with a focus on notable houses in the North, such as those of Rubens and Jordaens in Antwerp, and reflects on the shifting dynamics of power and artistic identity. The retreat of artists from court and city life is also discussed, emphasizing the changing landscape of artistic patronage and the broader cultural implications. The extensive list of artists and architects mentioned throughout serves to illustrate the rich tapestry of influences and contributions to this field.