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With detailed case studies of 'Final Chord' and 'All That Heaven Allows', Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films.
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Douglas Sirk, Aesthetic Modernism and the Culture of Modernity, Victoria L. Evans
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- Released
- 2019
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- (Paperback)
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