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Paulina Olowska

    Metamorphosis
    Parkett No. 92
    Paulina Olowska, Sie mußte die Idee eines Hauses als Metapher verwerfen ; [16.05. - 25.07.2004 Kunstverein Braunschweig e.V.]
    Salty Water
    Paulina Olowska
    • 2013

      Parkett No. 92

      Jimmie Durham, Helen Marten, Pauline Olowska, Damián Ortega

      • 300 pages
      • 11 hours of reading

      Since 1984, Parkett has been an important source of literature on international contemporary art. Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated essays by leading writers and critics. In addition, each artist creates an exclusive limited edition, available to Parkett readers. The long list of artists who have collaborated with Parkett includes John Baldessari, Sophie Calle, Fischli/Weiss, Isa Genzken, Mike Kelley, Cady Noland, Meret Oppenheim, Gerhard Richter, Cindy Sherman, Rosemarie Trockel, Andy Warhol, and many more.

      Parkett No. 92
    • 2012

      Paulina Olowska

      • 160 pages
      • 6 hours of reading

      Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the „Applied Fantastic“—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. * * In her paintings, collages, and knitted works, Olowska incorporates text and graphics from found illustrations or images that have a decidedly „behind the Iron Curtain“ look, while paying tribute to American Pattern and Decoration art of the 1970s and its use of non-traditional contemporary art mediums such as tiles and textiles. * * This publication is the first monograph to offer an overview of her work. It includes an interview with Adam Szymczyk and an essay by Jan Verwoert. * * Olowska, who lives and works in the Polish countryside, has had recent one-person and project exhibitions at MoMA, New York (2011), Tramway, Glasgow (2010); Pinakothek der Moderne, Munich (2009); DAAD Galerie, Berlin (2008); and Portikus, Frankfurt (2007). * * Published in collaboration with Kunsthalle Basel.

      Paulina Olowska
    • 2007
    • 2004

      Die klassizistischen Räume des Braunschweiger Kunstvereins mutieren zu einer Installation der besonderen Art. Olowska schafft mit Requisiten wie Möbelstücken eine unheimliche und zugleich geborgen anmutende Atmosphäre und verwandelt das Haus in eine Bühne für eine surrealistische Kurzgeschichte, verfasst von der befreundeten schottischen Künstlerin Lucy McKenzie. Der Text dieser tragisch-komischen Geschichte einer Freundschaft zweier Frauen, die sich in surreal anmutenden Räumen treffen, um über ihr Leben und ihre Arbeit zu reflektieren, wird zum Leitfaden durch Paulina Olowskas Welt.

      Paulina Olowska, Sie mußte die Idee eines Hauses als Metapher verwerfen ; [16.05. - 25.07.2004 Kunstverein Braunschweig e.V.]