Konrad Wolf, a pivotal figure in East German cinema, navigated the intricate relationship between art and politics throughout his career. His diverse filmography spans various genres, reflecting personal experiences and socialist ideology. This comprehensive book is the first of its kind, analyzing Wolf's work in the context of other notable filmmakers while addressing the challenges faced by politically engaged artists in state socialism. It appeals to those interested in late-twentieth-century film history and the cultural landscape of East Germany and Eastern Europe.
