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Andrzej Szczerski

    November 26, 1971
    Transformation art in east central europe After 1989
    Cztery nowoczesności
    Polskie Style Narodowe 1890-1918
    Karol kardynał Wojtyła. Fotografie Adama Bujaka
    Views of Albion
    The City is Born
    • 2015

      Views of Albion

      The Reception of British Art and Design in Central Europe, 1890–1918

      • 442 pages
      • 16 hours of reading

      Views of Albion is the first comprehensive study of the reception of British art and design in Central Europe at the turn of the twentieth century. The author proposes a new map of European Art Nouveau, where direct contacts between peripheral cultures were more significant than the influence of Paris. These new patterns of artistic exchange, often without historic precedence, gave art during this period its unique character and dynamism. Beginning with an analysis of the concept of Central Europe, the book examines knowledge about British art and design in the region. In subsequent chapters the author looks at the reception of the Pre-Raphaelites in painting and graphic arts as well as analysing diverse responses to the Arts and Crafts Movement in Germany, Austria, Poland, Bohemia, Slovakia, Hungary and Southern Slavic countries. The epilogue reveals the British interest in Central Europe, echoed in the designs Walter Crane, Charles Robert Ashbee and publications of The Studio. The book questions the insularity of British culture and offers new insights into art and design of Central Europe at the fin de siècle. It presents the region as a vital part of the international Art Nouveau, but also shows its specific features, visible in the works of artists such as Alfons Mucha, Gustav Klimt and Stanisław Wyspiański.

      Views of Albion
    • 2014