V druhé části osmidílné románové epopeje o osudech irských osadníků v kanadské kolonii je již usedlost Jalna v Ontariu dostavěna a její majitel kapitán Whi- teoak zde žije již se svou početnou rodinou.
The Green Years is a 1944 novel by A. J. Cronin which traces the formative years of an Irish orphan, Robert Shannon, who is sent to live with his draconian maternal grandparents in Scotland. An introspective child, Robert forms an attachment to his roguish great-grandfather, who draws the youngster out of his shell with his raucous ways.
Příběh Emmy, která vyrůstá u své babičky i s jejími šesti adoptovanými dětmi. Británie právě prochází krizí, když sem vtrhnou američani a chtějí uzavřít spojenectví. Omezují tím však místní obyvatele. Každý se s tím vyrovnává po svém, avšak Emmina babička, dříve uznávaná herečka, se s tím vyrovnat odmítá. Naplánuje akci, do které zapojí všechny své přátele, aby zachránili svou vlast.
Lupič gentleman je, jak dobře vědí zasvěcení čtenáři, trvalým přídomkem Arséna Lupina, ovšem v tomto svazku si čtenáři kromě Lupinova dobrodružství přečtou další dvě detektivky, v nichž se trestného činu dopouštějí velice ctihodní detektivové, neochvějně stojící na stráži zákona – Sherlock Holmes a August Dupin.
Pět excelentních detektivních příběhů, jejichž autory jsou detektivní esa: John Dickson Carr, Ngaio Marshová, Nicolas Blake, Margery Allinghamová a Anthony Armstrong.
This is an Intermediate Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures. The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.
Domov a rodina – opora, jistota, bezpečí a pohoda, se v povídkách amerických detektivních autorů stávají kolbištěm her pramálo rytířských, místem vražedných útoků a smrtelné nenávisti.
When Lord Jim first appeared in 1900, many took Joseph Conrad to task for couching an entire novel in the form of an extended conversation--a ripping good yarn, if you like. Conrad defended his method, insisting that people really do talk for that long, and listen as well. In fact his chatty masterwork requires no defense--it offers up not only linguistic pleasures but a timeless exploration of morality. The eponymous Jim is a young, good-looking, genial, and naive water-clerk on the Patna, a cargo ship plying Asian waters. He is, we are told, "the kind of fellow you would, on the strength of his looks, leave in charge of the deck." He also harbors romantic fantasies of adventure and heroism--which are promptly scuttled one night when the ship collides with an obstacle and begins to sink. Acting on impulse, Jim jumps overboard and lands in a lifeboat, which happens to be bearing the unscrupulous captain and his cohorts away from the disaster. The Patna, however, manages to stay afloat. The foundering vessel is towed into port--and since the officers have strategically vanished, Jim is left to stand trial for abandoning the ship and its 800 passengers.
In this ominous novel of the future, Daphne du Maurier explores the implications of a political, economic, and military alliance between Britain and America. Emma wakes one morning to an apocalyptic world. The cozy existence she shares with her grandmother, a once-famous actress, has been shattered--there's no mail, no telephone, no radio, and an American warship sits in the harbor. As the two women piece together clues about the "friendly" military occupation on their doorstep, family, friends, and neighbors gather to protect their heritage.
The author's ancestor Robert Busson du Maurier, who trained in the Busson family glass business, fled to London at the start of the French Revolution. This novel is based on letters written by his sister, Madame Sophie Duval. The story told here by Mme. Duval follows the family, from the time of her mother's marriage "into glass" in 1747 to Robert's death in 1811, so that his great-grandson George will understand his inheritance and budding artistic ability.
