Wanda Coleman Book order

This collection features Wanda Coleman's original and inventive sonnets, long celebrated as some of her finest work. Comprising one hundred poems, they express loving passions, social outrage, and hard-earned wisdom. Critics have described her work as "fantastically entertaining and deeply engaging," highlighting its creative rage, social critique, and subversive wit. Coleman, a resilient Black woman, wrote with a blend of anger, humor, and intelligence, famously stating, "to know, i must survive myself." She pioneered the experimental "American Sonnet" form, publishing these pieces from 1986 to 2001, influencing poets like Terrance Hayes and Billy Collins. Her art, rooted in life's particulars, resonates with timeless and universal themes. In her work, Coleman draws from her experiences and cultural heritage, crafting narratives that reflect both personal and societal struggles. Her sonnets are infused with a diverse range of influences, from Huey P. Newton to Herman Melville, and tell the intertwined stories of Black and white America. This collection is a testament to the power of words to articulate reality and possibility, appealing to those who appreciate a unique, questioning perspective.

Nobody wrote about police hassle like she did. Nobody wrote about making ends meet, about the history of the slave trade or the comedy of the daily grind, with the same breathtaking originality and brio; and few writers, before or since, have had the courage to write with such honesty about their everyday experience of life - and love - in an unjust world. This is the first ever UK publication of the poetry of Wanda Coleman: a beat-up, broke and Black woman who wrote with defiance, humour and clarity about her life on the margins, and who went overlooked by the establishment for decades - even as she was known colloquially as 'the unofficial poet laureate of Los Angeles'. Wicked Enchantment gathers 130 of Coleman's poems in a selection by Terrance Hayes. Funny, angry, endlessly alive and written with an immediacy and frankness that captivate, here is the essential work of a poet of fierce resistance and self-belief against the odds

Wer waren Emmett Till und Nat Turner? Wer waren die Neununddreißig, die die Überfahrt nicht überlebten, und was geschah am 11. März 1990? Wanda Coleman schreibt über historische Ereignisse und prägende Alltags­­erfahrungen, sie verfasst Briefe an eine große Schwester, Essays über die Sprache, Gedichte an einen totgeborenen Sohn. Sie wird zur ­Kulturterroris­tin, Märchenerzählerin, Comicskripterin und komponiert einen umfassenden Zyklus von Amerikanischen Sonetten. Gedichte über Sex und Geburt, über ihren Körper und Träume, Situationen im Krankenhaus oder im Gefängnis, über die Sorge, die Miete nicht bezahlen und die Kinder nicht versorgen zu können. In einer wütenden Sprache, mit teils beißendem Humor und teils überraschender Zärtlichkeit, überführt die profi­lier­te Lyrikerin aus Los Angeles die Diskriminierung von Schwarzen in einem rassistischen Amerika in system- und herrschaftskritische Poesie. Terrance Hayes hat für diesen Band über 120 Gedichte voll Wut, Witz und Weisheit aus acht Lyrikbänden ­zu­sammengestellt, die Wanda Coleman zwischen den späten 1970ern und frühen 2000ern verfasst hat.

Wanda Coleman's work is being re-introduced to a fresh audience, highlighting its relevance and impact. This revival offers readers a chance to explore her unique voice and literary contributions, showcasing themes that resonate with contemporary issues. The timing emphasizes the importance of her work in today's literary landscape, inviting both new and seasoned readers to engage with her powerful narratives.

In this illustrated, interview-format volume, 16 women performance artists animatedly address the volatile issues of male domination, feminism, race and denial. Among the modern warriors here are Diamanda Galás, a composer of ritualistic "plague masses" about AIDS who refuses to tolerate pity or weakness; Lydia Lunch, a self-described "instigator" who explains that her graphic portrayals of exploitation stem from her victimization as a child; and Wanda Coleman, a poet who rages against racism and ignorance. Goddess worshipper and former porn star Annie Sprinkle enthusiastically promotes positive sexual attitudes; bell hooks eloquently discusses societal power structures in terms of race and gender; Holly Hughes, Sapphire and Susie Bright expound on lesbianism and oppression; pro-choice advocates Suzy Kerr and Dianne Malley describe their struggles for reproductive rights. Incendiary opinions of current issues such as the Gulf War and censorship and frequent allusions to empowering art and literature make this an excellent reference source. These informed discussions arm readers verbally, philosophically and behaviorally and provide uncompromising role models for women actively seeking change.