Rembrandt Harmenszoon van Rijn Books

"Unabridged, slightly corrected republication of the verbal text of the work originally published in 1977 by Oresko Books Ltd., London, and Gary Schwartz, Maarssen, as Rembrandt: all the etchings reproduced in true size"--T.p. verso.

Book by Rembrandt

The Dutch master Rembrandt van Rijn (1606-1669) was one of the greatest draftsman of all time. Even small and quick sketches reveal his incomparable skill in capturing compositions, figures, groups, human gestures, facial expressions and landscapes with just a few strokes. Although some of Rembrandt's drawings served as preparatory studies for paintings and etchings, most are conceptual works in which he investigated motifs of movement and expression, recording ideas for his own works and those produced by pupils in his studio. Encompassing works from Rembrandt's entire career, this compact and exquisitely produced monograph presents the full spectrum of the genres and materials used in the drawings. In addition, recent scholarship has revealed that many drawings once attributed to Rembrandt were in fact done by his pupils. Of the 126 drawings in the important Berlin collection from which this volume draws its illustrations, only 55 are still considered original works by the master. Each of these is presented here within a scholarly text by Holm Bevers. As well, a selection of 25 drawings by Rembrandt's pupils is examined in light of the most recent research.

For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.

This stunning volume features over five hundred illustrations of the most iconic works of Rembrandt. Accompanied by insightful commentary by art historian Adolf Rosenberg, this book is an essential resource for any lover of art.

Works from various periods in Rembrandt's artistic development accompany a study of the artist's life and stylistic characteristics of his paintings and drawings

Supremely successful at the beginning of his life; lonely, bankrupt and virtually ignored at its end, Rembrandt produced some of the most powerful and psychologically penetrating works in the whole of world art. Poverty, illness, the deaths of his wife, children and devoted mistress - nothing deflected him from his inner vision and his unique handling of which would change the course of painting for ever.

Rembrandt van Rijn (1606–1669) gilt als einer der bedeutendsten Künstler des Barock. Während des »Goldenen Zeitalters« der niederländischen Kunst schuf er ebenso virtuos wie facettenreich Porträts, Landschafts- und Historienbilder und bearbeitete biblische und mythologische Themen. Er war nicht nur ein Meister von Licht und Schatten, des Chiaroscuro, auch aufgrund seiner Themenwahl gilt er als »Erneuerer der Malerei«. 1631 zog er von Leiden nach Amsterdam, wo er rasch zu einem der bedeutendsten Porträtkünstler avancierte und eine erfolgreiche Werkstatt führte. Seine Bilder wurden schon zu Lebzeiten durch Kupferstiche und Kopien verbreitet und vielfach rezipiert, dennoch starb er in Armut. Sein Werk umfasst etwa 350 Gemälde, 700 Zeichnungen und 314 Radierungen, von denen 20 der berühmtesten in diesem Postkarten-Set versammelt sind.

Het leven van Rembrandt, getekend tegen de sociale en culturele achtergronden van zijn tijd.

Soubor reprodukcí Rembrandtovy grafiky a kreseb. Úvodní text Václava Viléma Štecha se zabývá umělcovými postupy, jeho vývojem od rozervaneckých raných portrétů až ke zkoumateli hloubek lidského nitra pomocí jednodušších, klidnější a výraznější kreseb, stále však nekonvenčních.