A survey of the innovative sculptural and installation work of Damián Ortega. In works that spin, dangle, sprawl and climb, Damián Ortega reveals his fascination with how everyday things—whether manmade or organic—are constructed, and his keen interest in the tools and elements that facilitate the process of construction, from pickaxes and pulleys to bricks to molecules. A former political cartoonist, Ortega infuses his sculptural work with an incisive wit, bringing the humorist’s eye to works in which materials are manipulated in surprising ways. His objects reflect the dynamism of the world around us in ways that we might otherwise overlook, subtly subverting conventional views of sculpture as permanent and monumental. This book, accompanying a major exhibition at the Institute of Contemporary Art, Boston, brings together work from 1996 to 2007, including sculpture, photography, and video, revealing the rich range of Ortega’s artistic activity.
Damián Ortega Books


Parkett No. 92
Jimmie Durham, Helen Marten, Pauline Olowska, Damián Ortega
- 300 pages
- 11 hours of reading
Since 1984, Parkett has been an important source of literature on international contemporary art. Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated essays by leading writers and critics. In addition, each artist creates an exclusive limited edition, available to Parkett readers. The long list of artists who have collaborated with Parkett includes John Baldessari, Sophie Calle, Fischli/Weiss, Isa Genzken, Mike Kelley, Cady Noland, Meret Oppenheim, Gerhard Richter, Cindy Sherman, Rosemarie Trockel, Andy Warhol, and many more.