Natalie Fleckhaus Book order

When three teens are landed with a community service order after an incident involving a spray can and an inconveniently timed patrol car, their stories start to converge. Amir is the angry boy who won't talk about the brother he lost, but won't let his name be forgotten either. Eman is the awkward girl whose favourite evenings are spent at home watching soaps with her Nani. Kemi is the determined athlete who knows she deserves as good a shot as anyone else, if only she can get to the starting line. As they spend more time together they learn more about themselves, and in the process realise the true cause of Amir's brother's death - and the grave role police prejudice played in it. This is one summer they will never forget. Good for Nothing is a tender, witty and heartfelt coming of age story that redefines small town mentalities and explores the power of friendship and human connection.

This publication is devoted to management in modern economies and the place and role of managers in contemporary societies. The contributors show the complex problems of managing organizations from the perspective of two countries: Japan and Poland. The comparison brings fascinating conclusions about the essence of management and economic, social and cultural capitals present in these seemingly distant two worlds. However, a more detailed analysis also shows similarities in the functioning of managers, modern leadership, the social role of a manager, and the capitalist economy and post-capitalist society of Japan and Poland. The editors of this book have been cooperating for several years; they are trying to combine economic and sociological perspectives in research on contemporary capitalist economies and modern post-capitalist societies.

From its origins in the Midwest in the early nineteenth century, the technique of light timber framing—also known at the time as "Chicago construction"—quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture.American Framing  is a visual and textual exploration of the social, environmental, and architectural conditions and consequences of this ubiquitous form of construction. For architecture, it offers a story of an American project that is bored with tradition, eager to choose economy over technical skill, and accepting of a relaxed idea of craft in the pursuit of something useful and new—the forming of an architecture that enables architecture.

A fascinating conversation that offers profound insights into the artistic as well as sociopolitical forces behind Latifa Echakhch’s art. Latifa Echakhch studied at the art academies of Grenoble, Paris-Cergy, and Lyon. Now based in Switzerland, Eckakhch is concerned with the concept of culture as well as personal and collective memory in between the poles of social and political debate. Her work often features installations that make use of a wide variety of materials, such as brick and raw earth, which she mixes with ink.This book is part of the new On Words series presenting conversations with contemporary women artists. Through these conversations, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. 

In this in-depth interview, Silvie Defraoui talks not only about her projects and practice, but also about her experiences with the national and international art scene. Swiss artist Silvie Defraoui, born in 1935, is a pioneer of video art and art education. Beginning in 1975, she worked in collaboration with her husband Chérif Defraoui (1932–1994). Together they developed the Archives du Futur , a reflection on images, their status, and potential for memory and the future. The two artists also founded the legendary Atelier Médias Mixtes at Geneva’s École supérieure des Beaux-Arts (now HEAD—Genève). Since 1995, Defraoui has pursued a practice using various forms of expression, including projection, installation, ceramics, and serigraphy.This book is part of the new On Words series presenting conversations with contemporary women artists. Through these conversations, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. 

"The legal action against Julian Assange is poised to culminate in a trial in the United States in 2023, and this book will help the public understand the proceedings. The establishment media's coverage of WikiLeaks founder Julian Assange's extradition case has focused on his deteriorating health and what CBS News called his "secret family," but most of this coverage failed to detail the complex issues at stake against Assange. Guilty of Journalism outlines how WikiLeaks exposed the reality of American wars, the United States government's unprecedented indictment against Assange as a publisher, and the media's role in persuading the public to "shoot the messenger." This new book by Kevin Gosztola, who has spent the last decade covering Assange, WikiLeaks, and the wider war on whistleblowers, tells the full story based on testimony from dozens of witnesses. It examines abuses of power by the CIA and the FBI, including a spying operation that targeted Assange's family, lawyers, and doctors. Guilty of Journalism offers a balanced and comprehensive perspective on all the events leading up to what press freedom advocates have called the trial of the century"-- Provided by publisher

Isabelle Cornaro, born in 1974 and based in Paris and Geneva, holds degrees in art history and visual arts. She has a strong interest in experimental cinema and devotes herself to the narrative, symbolic, or economic origins of things. In her work she almost assumes an anthropologist?s manner to investigate people?s seemingly fixated attachment to often emotionally charged, even fetishized objects, creating large stage installations or short movies.00On Words is a collection of interviews with leading contemporary women artists. In conversation with Julie Enckell Julliard, Federica Martini, and Sarah Burkhalter, they speak about the sources from which they draw inspiration, themes in their work, and their view of the world. The series brings together a wide range of viewpoints and adds a new narrative to polyphonic art history as told by those who actively shape it.00On Words. In cooperation with the Swiss Institute for Art Research (SIK-ISEA). 00.

"The much anticipated, special tenth anniversary edition features an updated introduction and 65 delicious, updated drink recipes and drinking games. The recipes, including 13 brand new drinks and 2 new bar snacks exclusive to the revised edition, are organized into new chapters for today's modern reader. The handsome package complete with its original three-piece case, deckled edge, and brilliant duo-toned illustrations throughout also includes five brand-new pieces of art"--

Summer, 1953. The sun is shining on Little Green Street, the bunting is being brought out, and Britain is getting ready to crown its new Queen. Except Helen Jones doesn't feel much like celebrating. Her father passed away last year, on the very same day as King George. Life hasn't felt the same ever since. Her husband Tad has a plan. As the newly-appointed chair of the small town's Coronation Tea Party committee, he's hoping that the day will be the perfect moment to bring a spark of joy back to their little family - and to the whole community. But then Helen gets a letter from her mum in London, and she realises she has a bigger dream - she's going to go to see the new Queen...