Edward J Sullivan Book order (chronological)

Colombian-born Fernando Botero (b. 1932) is a celebrated painter, sculptor, and draftsman, known for his voluptuous figures that blend the opulence of Spanish colonial baroque with the social realism of Mexican muralists. His humorous exaggerations often mask deeper themes, including commentary on colonialism, political instability in Latin America, and regional artistic traditions, alongside European art history. This extensive study of his life and work accompanies Botero’s first American retrospective in over thirty years. Featuring 100 works drawn exclusively from his private collection, including unpublished paintings and drawings, it offers a personal perspective on his oeuvre. Many pieces, such as portraits of friends and family, have remained with the artist since their creation, while others were reacquired as milestones in his career. Three essays delve into Botero's creative journey, exploring the aesthetic environment that shaped his distinctive style and his significant impact on the Colombian art scene of the 1960s and 70s. The exhibition travels to several prestigious venues, showcasing the depth and breadth of Botero's artistic contributions.

This is the first comprehensive publication devoted to Tomás Sánchez, one of the most important and celebrated living Cuban artists. Sánchez is a commanding realist, although his landscapes are imagined or dreamed. His work is meticulous in its breath-taking detail, but the objective of the artist is not so much the recreation of reality as it is the display of a magical realism. In this respect, Sánchez is closer perhaps to Gabriel García Márquez than to the North American model of hyperrealism. This volume follows the development of Sánchez's work chronologically from his early expressionist paintings to his most recent landscapes.