Brent Salter draws on extensive original archival research to explain how copyright has been negotiated in the American theatre over the previous two centuries. The book will be of interest to scholars and students of law, history, theatre, and other disciplines of the humanities, as well as theatre practitioners.
Brent Salter draws on extensive original archival research to explain how copyright has been negotiated in the American theatre over the previous two centuries. The book will be of interest to scholars and students of law, history, theatre, and other disciplines of the humanities, as well as theatre practitioners.