Ali Kazim Akdag Books

"An examination of the lingering effects of a hydroelectric power station on Pimicikamak sovereign territory in Manitoba, Canada"--

Eloquent intercultural coming-of-age story This groundbreaking, transgenre work—part detective story, part literary memoir, part imagined past—is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes. Bright Felon is literally "autobiography" because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha's Dictee, Lyn Hejinian's My Life, and Etel Adnan's In the Heart of the Heart of Another Country. A reader's companion is available at http://brightfelonreader.site.wesleyan.edu/

To go without food from dawn to dusk for the whole month of Ramadan - how does this feel? What do we become when we deny our major appetites during the hours of daylight, and in what ways does this transform the nights? In these absences, what new presences, what illuminations and revelations arise? After many years of not practicing, acclaimed writer Kazim Ali has re-embraced the Ramadan tradition, and he brings a poet's precision and ardor to these brilliant meditations on an ancient and yet entirely contemporary ritual. Jane Hirshfield has said, "Kazim Ali - a writer whose powers astonish in everything he puts pen to - has made in FASTING FOR RAMADAN a book that is hybrid, peregrine, and deeply, quietly revelatory. Ali's meditations on the month-long ritual fast unfold, across cultures and spiritual practices, the deep meaning of a chosen foregoing. These journal-born pages are both intimate and public, at once ecumenical, particular, daily, and eloquently learned; planted on the deep roots of tradition, they breathe this moment's air. Is it possible for a work to be at once modest and an undeniable tour de force? This book proves: it is."

How we answer to love beneath the lash of history