Bill Daniel is an American artist whose work spans experimental documentary film, photography, and installation art. His practice frequently delves into visual culture and the less visible aspects of society, exemplified by his feature film exploring the tradition of boxcar graffiti. Daniel often collaborates with other artists, sharing an interest in underground aesthetics and investigating how visual art communicates within public spaces. His approach merges documentary observation with artistic interpretation, crafting works that invite contemplation.
Daniel has crafted a remarkable book, full of obscure railroad nostalgia - the result of a 25-year obsession with hobo and rail-worker folklore. Freight riding stories, interviews with hobos and boxcar artists, historical oddities and tons of photos of modern-day boxcar tags are all presented in the guise of a vintage rail fanzine.