Paola Bonifazio's scholarship delves into postwar Italy through the lens of sponsored films. Her work investigates how these films were utilized to shape society and ideologies in the period following World War II. She particularly examines the political and social dimensions of film production and its impact on the nation's modernization. Her approach blends film studies with historical analysis.
"The first feminist reading of photoromances that examines both its industry and its fandom, arguing for their remarkable relevance as transmedia narratives in a transnational market"-- Provided by publisher