Paola Bonifazio's scholarship delves into postwar Italy through the lens of sponsored films. Her work investigates how these films were utilized to shape society and ideologies in the period following World War II. She particularly examines the political and social dimensions of film production and its impact on the nation's modernization. Her approach blends film studies with historical analysis.
Exploring the intersection of cinema and governance, the book delves into how films funded by Italian and American government agencies shaped perceptions of modernization and industry in Italy. It highlights the role of these films as instruments of influence, reflecting broader socio-political agendas while aiming to guide the Italian populace towards a specific vision of progress.
"The first feminist reading of photoromances that examines both its industry and its fandom, arguing for their remarkable relevance as transmedia narratives in a transnational market"-- Provided by publisher