The Cinema of the Real
- 272 pages
- 10 hours of reading
Exploring the intersection of Lacanian film theory and transnational cinema, this work uncovers an "emancipatory drive" that reshapes traditional understandings of film. It challenges established norms and highlights how diverse cinematic narratives can promote liberation and identity. By analyzing various films, the author presents a fresh perspective on how global cinema can serve as a vehicle for social and political change, thus expanding the discourse within film studies.
