Radio Golf
- 86 pages
- 4 hours of reading
Fast-paced and funny play about the world today and in the future.
August Wilson was an American playwright whose works capture the comic and tragic aspects of the African-American experience throughout the twentieth century. His expansive ten-play cycle, each set in a different decade, delves into profound human experiences with a distinctive style. Wilson's remarkable command of language and insightful observations on identity, history, and culture make him one of American theater's most significant voices. His writing celebrates the resilience and complexity of the Black community.






Fast-paced and funny play about the world today and in the future.
In Ma Rainey's Black Bottom, the great blues diva Ma Rainey is due to arrive at a run-down Chicago recording studio with her entourage to cut new sides of old favourites. Waiting for her are the black musicians in her band, and the white owners of the record company. A tense, searing account of racism in jazz-era America that the New Yorker called 'a genuine work of art'. Fences centres on Troy Maxson, a garbage collector, an embittered former baseball player and a proud, dominating father. When college athletic recruiters scout his teenage son, Troy struggles against his young son's ambition, his wife, who he understands less and less, and his own frustrated dreams.
Set in 1904, August Wilson's Gem of the Ocean begins on the eve of Aunt Esther's 287th birthday. When Citizen Barlow comes to her Pittsburgh's Hill District home seeking asylum, she sets him off on a spiritual journey to find a city in the middle of the Atlantic Ocean. Gem of the Ocean is the ninth work in Wilson's ten-play cycle that has recorded the American Black experience and helped to define generations. The Broadway run starred Tony Award winner Phylicia Rashad as Aunt Esther.
From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes a “vivid and uplifting” (Time) play about unsung men and women who are anything but ordinary. August Wilson established himself as one of our most distinguished playwrights with his insightful, probing, and evocative portraits of Black America and the African American experience in the twentieth century. With the mesmerizing Two Trains Running, he crafted what Time magazine called “his most mature work to date.” It is Pittsburgh, 1969, and the regulars of Memphis Lee’s restaurant are struggling to cope with the turbulence of a world that is changing rapidly around them and fighting back when they can. The diner is scheduled to be torn down, a casualty of the city’s renovation project that is sweeping away the buildings of a community, but not its spirit. For just as sure as an inexorable future looms right around the corner, these people of “loud voices and big hearts” continue to search, to father, to persevere, to hope. With compassion, humor, and a superb sense of place and time, Wilson paints a vivid portrait of everyday lives in the shadow of great events.
NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes the extraordinary Ma Rainey's Black Bottom—winner of the New York Drama Critics’ Circle Award for Best Play. The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her Black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is more than music. It is a riveting portrayal of black rage, of racism, of the self-hate that racism breeds, and of racial exploitation.
Peddling stolen refrigerators in the feeble hope of making enough money to open a video store, King Hedley, a man whose self worth is built on self delusion, is scraping in the dirt of an urban backyard trying to plant seeds where nothing will grow. Getting, spending, killing and dying in a world where getting is hard and killing is commonplace are threads woven into this 1980's installment in the author's renowned cycle of plays about the black experience in America. Drawing on characters established in Seven Guitars, King Hedley II shows the shadows of the past reaching into the present as King seeks retribution for a lie perpetrated by his mother regarding the identity of his father.
From the Pulitzer Prize-winning author of Fences comes Joe Turner's Come and Gone—Winner of the New York Drama Critics Circle Award for Best Play. “The glow accompanying August Wilson’s place in contemporary American theater is fixed.”—Toni Morrison When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man—in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world—and it will take more than the skill of the local “People Finder” to discover it. This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.
"Regular cabs will not travel to the Pittsburgh Hill District of the 1970s, and so the residents turn to each other. Jitney dramatizes the lives of men hustling to make a living as jitneys--unofficial, unlicensed taxi cab drivers. When the boss Becker's son returns from prison, violence threatens to erupt. What makes this play remarkable is not the plot; Jitney is Wilson at his most real--the words these men use and the stories they tell form a true slice of life."--The Wikipedia entry, accessed 5/22/2014.
In the powerful, stunning dramatic work that won August Wilson his first Pulitzer Prize, Troy Maxson has gone through life in a country where to be proud and black was to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s. It's a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.-Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s.
The Pulitzer Prize-winning author is renowned for exploring themes of race, identity, and the African American experience in his works. His plays, particularly "Fences" and "The Piano Lesson," delve into the complexities of family dynamics and the struggles against societal barriers. Through rich character development and poignant dialogue, he captures the emotional depth and resilience of his characters, making significant contributions to American theater and literature.