A historical musicologist, this author specializes in the Classic and Romantic periods, as well as British music across various genres and eras. Their work delves into the intricate soundscapes and historical contexts of these musical traditions.
In this account of one of the masterpieces of the classical period, the author places The Creation within the oratorio tradition and contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances.
Nicholas Temperley uncovers a rich trove of overlooked music, revealing not only its captivating qualities but also a range of intellectual challenges that will engage scholars. His exploration of this neglected field promises to shed new light on its significance and complexities.
The music, religion, and relationships of the exceptional Wesley family