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Paul Allain

    Paul Allain is a professor of Theatre and Performance whose work delves into the core of theatrical practice and its theoretical underpinnings. His research investigates diverse theatrical traditions, exploring the evolution of Polish theatre and the physical methodologies of Japanese actors. He critically examines the methods and impact of significant theatre practitioners, offering readers deep insights into the art form's global landscape.

    Gardzienice
    The Art of Stillness
    Theatre and the City
    The Routledge Companion to Theatre and Performance
    • 2014
    • 2009

      Theatre and the City

      • 96 pages
      • 4 hours of reading
      4.0(51)Add rating

      How can an understanding of theatre in the city help us make sense of urban social experience?

      Theatre and the City
    • 2003

      The Art of Stillness

      The Theater Practice of Tadashi Suzuki

      • 234 pages
      • 9 hours of reading
      4.0(35)Add rating

      Tadashi Suzuki has significantly influenced both Japanese and Western theater through his acclaimed productions and the development of the Suzuki method, a rigorous training system that shapes contemporary performance. Paul Allain, a practitioner of this method, offers a critical evaluation of Suzuki's contributions, exploring his collaborations, the role of architecture in his work, and his global impact on theater. The Art of Stillness presents a lively analysis of Suzuki as a pivotal figure in modern theater, highlighting his uncompromising artistic vision.

      The Art of Stillness
    • 1998

      Gardzienice

      Polish Theatre in Transition

      • 202 pages
      • 8 hours of reading

      Founded in a small Polish village, the Gardzienice Theatre Association emerged as an experimental theatre company in 1977 and garnered acclaim for its dynamic performances by 1992. Celebrated for its unique blend of joy, anguish, and spiritual themes, the group has become Poland's leading theatre, training actors for prestigious companies like the Royal Shakespeare Company. Paul Allain explores their innovative sung performances, rigorous physical and vocal training, and anthropological research among marginalized European communities, highlighting their significant impact on contemporary theatre.

      Gardzienice