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Rachel Fenn

    Cornelia Parker
    The House of Whispers
    Frontline Midwife
    • "My own suffering, my own loneliness, was a fair price to pay for the lives we'd saved. And now here I am, training to be a midwife, so that next time I can make it better.' Anna Kent has delivered babies in war zones, caring for the most vulnerable women in the most vulnerable places in the world. At twenty-six years old, not yet a fully-trained midwife, she delivered a baby in a tropical storm by the light of a headtorch; the following year, she would be responsible for the female health of 30,000 Rohingya refugees in Bangladesh. But returning to the UK to work for the NHS, she soon learned that even at home the right to a safe birth was impossible to take for granted. In Frontline Midwife, Kent shares her extraordinary experiences as a nurse, midwife and mother, illuminating the lives of women that are irreparably affected by compromised access to healthcare. This is at once an astonishing story of the realities of frontline humanitarian work, and a powerful reminder of the critical, life-giving work of nurses and doctors at home and around the world"--Publisher's description

      Frontline Midwife
    • The House of Whispers

      • 384 pages
      • 14 hours of reading
      3.7(377)Add rating

      'Haunting, dark and wonderfully atmospheric' B A Paris, bestselling author of The Therapist Once you let her in, she'll never leave...

      The House of Whispers
    • Cornelia Parker is well known for her transformation of everyday objects into unexpected, haunting scenarios - things are exploded, shot, turned back to front and rearranged in often surprising ways. Working with sculpture and installation, as well as drawing, photography and film, Parker positions her subjects at the very moment of their transformation, suspended in time and completely still. This catalogue features over forty artworks from across the artist's career, including large-scale installations, embroideries, works on paper, video works, and a selection of small-scale sculptures and objects. Highlights include 6 major installation works, including Thirty Pieces of Silver (1988-1989), Cold Dark Matter: An Exploded View (1991), Magna Carta (An Embroidery) (2015) and War Room (2015). Alongside these major pieces will be a selection of works the artist created during her appointment as the 2017 Election Artist for the UK General Election, as well as her Avoided Object series of smaller-scale works, in which the artist has transformed everyday objects through processes of burning, squashing and flattening.

      Cornelia Parker