Jolanta Kozak Books

Moving to New York to pursue creative ambitions, four former classmates share decades marked by love, loss, addiction, and haunting elements from a brutal childhood.

The tragic impact of the Vietnam War on a relationship between father and daughter. The father is an upstanding individual who believes in the American Dream, but his daughter has a different dream, to get America out of Vietnam and she kills innocent people to achieve it. For the father it is the end of the world, he has lost his daughter. By the author of Sabbath's Theater

Jest to powieść autobiograficzna, w której autor w sposób niezwykle przenikliwy, ale bardzo związły, opisuje relacje ojciec-syn, gotowość do zgody na odejśćie oraz śmierć. Książka została sfilmowana.

The critically acclaimed Birdy is an inventive, hypnotic novel about friendship and family, love and war, madness and beauty, and, above all, "birdness". Wharton crafts an unforgettable tale--one that suggests a notion of sanity in a world that is manifestly insane. Copyright © Libri GmbH. All rights reserved.

From the Booker-nominated author of If Nobody Speaks of Remarkable Things and So Many Ways to Begin A TV Book Club selection

Meet Ellie and her best friends Nadine and Magda, three teenage girls just starting Year Nine with a lot on their minds - mainly boys! Told in the bright, sparky and authentic voice of Ellie, Girls in Love is a funny, frank and revealing look at their friendships, problems and heartaches that older fans of bestselling author Jacqueline Wilson will adore. Books in the series- 1. Girls in Love 2. Girls Under Pressure 3. Girls Out Late 4. Girls in Tears

David, white-haired & over 60, is a TV culture critic & lecturer at a New York college. He meets Consuela, a 24-year-old student, daughter of wealthy Cuban exiles, who puts his life into erotic disorder & haunts him for the next eight years.

Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his 60s, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, "are melted into air, into thin air". When he goes on stage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for the bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura, and gravity, all the ways that we persuade ourselves of our solidity, all our life's performances - talent, love, sex, hope, energy, reputation - are stripped off. Following the dark meditations on mortality and endings in Everyman and Exit Ghost, and the bitterly ironic retrospective on youth and chance in Indignation, Roth has written another in his haunting group of late novels.