The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women's amateur practice.
Exploring the intersection of amateur media and established professional practices, this book delves into the evolving landscape of participatory cultures. It examines how amateur creators challenge traditional media norms and contribute to the broader discourse on media production. By analyzing various forms of amateur media, the work highlights the significance of user-generated content in shaping contemporary media narratives and practices.